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Phosphenes
for Bb clarinet and fixed media
Robert Gillam -
erase-repeat
for the experimental duo MOTUHS
Elliott Lupp -
For the Fallen
Electro acoustic piece with versions for different solo instruments + electronics created from the huge peace bell in Rovereto, IT.
Judith Shatin -
Loretto Alfresco
“Loretto Alfresco is endearingly low-tech: its sounds are drawn entirely from recordings of a friend striking pots, pans and other items, which Mr. Fleisher sped up . . . and overlaid to create a rich, tactile texture.” (Allan Kozinn, NY Times, 2010)
Robert Fleisher -
Reverie
for fixed media
Leah Reid -
Sk(etch)
for fixed media
Leah Reid -
The Quarantine Collective
A piece designed to bring people together from all around the world during COVID-19. Uses submissions from Skykey, John R. Akins, Josh Oxford, Francisco Dean, Li-Chuan Chong, and Lannier Sammons.
Gabriel McDerment -
The Activist Creed
A reflection on the evil in the world and everyday, heroic powers that combat it, no matter the adversity or discomfort. Premiered on Earth Day, 2020. Work for Piano and Fixed Electronics.
Gabriel McDerment -
Sintadfenix
Two-channel work for fixed media with video (Audiovisual work)
Fabio Fabbri -
Ruah
Two-channel work for fixed media.
Fabio Fabbri -
Monodialogos
For trumpet and electronics (Trumpet and fixed media)
Fabio Fabbri -
Traumatic Language
for Serge synthesizer
Ayla Cosnett -
Ghost-Collecting Ritual
for Serge synthesizer and computer
Ayla Cosnett -
Deep Fryer
for Serge synthesizer
Ayla Cosnett -
Nonlinear Realignment
for Serge synthesizer
Ayla Cosnett -
Sic
Audio-controlled analog synthesis
Ayla Cosnett -
On Purity
Ambient musique concrète
Ayla Cosnett -
The Broadening Of A Mouth
for Serge synthesizer
Ayla Cosnett -
Strawberry Cream Cheese
for BugBrand synthesizer
Ayla Cosnett -
Cells
for Moog modular synthesizer
Ayla Cosnett -
Shrewsbury
for Moog modular synthesizer
Ayla Cosnett -
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Musique concrète
Ayla Cosnett -
E.161
Musique concrète
Ayla Cosnett -
My Cry to the Energy Master
Musique concrète
Ayla Cosnett -
State Property
Drone study
Ayla Cosnett -
Dies Sanguinis
Jazz-influenced dark ambient
Ayla Cosnett -
Measurer of Gods
Musique concrète
Ayla Cosnett -
Pound
Drone/noise improvisation
Ayla Cosnett -
The Big X
Study of mid-century aesthetics
Ayla Cosnett -
Maternal
Ambient/drone pop instrumental
Ayla Cosnett -
The Cave
Ambient pop instrumental
Ayla Cosnett -
A Vocal Ancient
study for modular synthesizer
Ayla Cosnett -
Resonance (Pre-show)
Improvised Pre-Show Performance
Carey Campbell -
Souvenir
Déconstruction de la Pathétique
Carey Campbell -
Stratum
Time destroys all things, slowly
Carey Campbell -
PBD19
based on Carl Sagan's Pale Blue Dot
Carey Campbell -
Aqua•litative
A kinetic installation that renders multiple data sets of California’s water history into a physical experience.
Jon Bellona -
Awash
depicts the life, color, and environment of the High Desert in the Western United States.
Jon Bellona -
#Carbonfeed
Through composing Twitter feeds and correlating individual tweets with ephemeral traces of gas pumped into tubes of water in public spaces, the work reveals the environmental cost of online behavior and its supportive physical infrastructure.
Jon Bellona -
Wildfire
a 48-foot long speaker array that plays back a wave of fire sounds across its 48-foot span at speeds of actual wildfires.
Jon Bellona -
Agnus Dei
Voice and fixed media
Breck McGough -
Lepidoptera
Text-sound, video, fixed media
Breck McGough -
Triptych
for alto saxophone and fixed media
Tim Edwards -
Arcade
for Oboe and Tape
Mark Petering -
Shortcut to the Moon
for Max/MSP and Narrator featuring Emily Dickinson poetry
Mark Petering -
Brux No. 1
for iPad controlled laptop
Elliott Lupp -
Away from Face
Chamber ensemble with live/fixed electronics
Elliott Lupp -
The Noise watches the man meditate.
Experimental music made using markov chains.
Suhas Vittal -
Duo for Solo Cello
An interactive, performative sound sculpture
Sarah Ritch -
Discords
for 3D audio (binaural mix)
Michael Smith -
impulse response [neurosonics 4]
for tenor saxophone and spatial sound
Andrew McManus -
dendrites [neurosonics 3b]
...a reserved and subtle meditation on mildly anxious sounds.
Andrew McManus -
Voyager
For ensemble and mobile devices. Also called, “The Grand Tour” based on the NASA Jet Propulsion Laboratory poster, which was named for the Voyager missions. This piece, “Voyager,” uses data from each planet – and their moons – the voyager satellites flew by during their missions. Web audio on mobile phones allows for audience participation by using their own devices, whether a phone, tablet, or even a laptop computer. Each participating audience member is a small grain in the overall musical texture that accompanies the ensemble. To enhance the audience’s ambient texture, 3 percussionists are equally spaced surrounding the entire performance space to encapsulate the sound. The concert experience immerses the listener in complete 360-degree sound.
Jeremy Muller -
Orbitals
For clarinet and mobile phones. Audience members participate in the web audio accompaniment on their mobile devices creating omni-directional sound and an immersive concert experience.
Jeremy Muller -
Tempest in a Teakettle
The title suggests the small problems we consider on a daily basis, waiting as they build within us. ‘Waiting’ is explored in several ways throughout, and uses the medium to augment these daily dramas until we will allow ourselves to view them center-stage.
Kyle Vanderburg -
the study bay
6-channel generative work
Steve Ashby -
duet
32-channel spatialized work
Steve Ashby -
Between rail and water
8-channel spatialized work
Steve Ashby -
Annex
16-channel spatialized work
Steve Ashby -
mia-graik-mabta
for marimba and computer processing
Brett Masteller -
bazss_1.2
fixed media work focused on DSP and multi-channel spatialization
Brett Masteller -
bazss_interlude
fixed media work focused on DSP and multi-channel spatialization
Brett Masteller -
Recorded Ruins
Amplified ensemble plus transducers
Brian Riordan -
Feedbacz
For saxophone and computer processing
Brett Masteller -
TrainScape
fixed media work focused on field recording and DSP
Brett Masteller -
Cyncada
fixed media work focused on digital synthesis
Brett Masteller -
bazss_2.0
for percussion and computer processing
Brett Masteller -
Trio of Duets
fixed media playback
Brett Masteller -
unsound
For percussion and modular feedback network
Brett Masteller -
BowMU STUCK MoBue
For indeterminate percussion instruments and live computer processing
Brett Masteller -
Translucents
Fixed media piece based on the sounds of glass and water
Caleb Westby -
[Pop Music]
Work for fixed media and alto saxophone
Caleb Westby -
Phyllotaxis
for flute and electronics
Jennifer Merkowitz -
Les Crapauds de la Fontaine (The Toads from the Fountain)
for bass clarinet and electronic sound
Jennifer Merkowitz -
…grind…
for 8.1 channel fixed media
Ryne Siesky -
skee-Zoh
for tenor trombone and computer
Ryne Siesky -
TRUTH
Audio/video juxtaposition using Ableton Live
Jeremy dePrisco -
Shampoo
Audio/Visual juxtaposition of 1950s shampoo commercials
Jeremy dePrisco -
Auric Blade
Auric Blade was composed in 2018 using a custom software synthesizer designed in Max MSP. Synth tones were then transduced through a Banjo drum and Tibetan singing bowl while the Banjo D string is excited by a harmonic EBow. This piece is 24 channels and was performed at the San Francisco Tape Music Festival in 2019.
Kris Force -
Turning Noise Studies
Exploration of Turing device in VCV Rack
Jeremy dePrisco -
Enigmatic Improvisation for flute and electronics, op. 16 (2019)
Electroacoustic work based on "Guardians of the Secret" (1943) by Jackson Pollock
Andres Luz -
Inertia
Electronic Dance Music from Gabriel McDerment’s Album #TheExperiment
Gabriel McDerment -
Viscid
Flute and fixed media, made entirely from recordings of the flute
Matthew Briggs -
I’m Not Speaking English
Fixed media piece created from a single spoken sentence
Matthew Briggs -
Cut
feat. samples of K Kirchoff, toy piano
Lou Bunk -
Small Talk (A Portrait of Social Skepticism)
for drum set and electronics
Matt Ridge -
Hinge
for bowed-dulcimer and live electronics
Elliott Lupp -
Moel Y Gaer, Bodfari
In collaboration with the University of Oxford Archeology Department.
Christopher Lock -
Utopian Algorithm #1
In “Utopian Algorithm #1,” a non-cynical algorithm seeks to find the Internet’s lost Utopia by thwarting social media popularity algorithms to reveal the videos nobody gets to see.
Amy Alexander -
PIGS (Percussive Image Gestural System)
PIGS is a software/hardware/percussive instrument designed for liveness in improvised audiovisual performance through the use of silent percussion — i.e. visuals are performed by playing drums.
Amy Alexander -
Book epimorpha/ Anamorpha
Psalm 1
Benoit Granier -
Mirage
Electronic work with a catchy melody and a groovy bass line.
Santiago Ramones -
Exit
A song based on Half-Life
Santiago Ramones -
Machinations III – Get It
Machinations III - Get It is a rap work that tells a story of a dystopian future where androids are subjugated by humanity. A group of androids that don't want to be left out of heaven conspire to go where no android has gone before.
Santiago Ramones -
Machinations II – Mind Machine
Machinations II - Mind Machine is told from the point of view of an artificial intelligence that is first "waking up", becomes conscious, connects to the Internet, and arrives at some conclusions.
Santiago Ramones -
Machinations I – Basics
The start of my "Machinations" series, which combines twelve-tone methods with minimalism methods, as well as electronics. It is meant to emulate computer and machine sounds.
Santiago Ramones -
Reparametrization 6
Work for electro-acoustic manipulation and Bass Clarinet
Ryan Ingebritsen -
Weighed Down by Light
composition for contrabass clarinet and electroacoustic fixed media (using a live in-ear click track)
Tom Williams -
Headpin Talkie
Field recordings from 100 locations in and around Chicago derived from John Cage's "A Dip in the Lake" are the basis of this open work for live or fixed media
Fredrick Gifford -
1830
An open work for 5 players who use cards with listening cues to create an interactive live performance
Fredrick Gifford -
Musical Sculpture
Musical Sculpture [after Duchamp] is for 8 to [infinity] electric guitars or for 1 electronic guitar and 8-channel electronics
Fredrick Gifford -
Shadow Play (Mobile 2016)
In this open work for bass flute and electronics, the performer creates a unique pathway through a labyrinth of "shadows" – recordings of themself
Fredrick Gifford -
Graft Blossom
Part of respirateur, Graft Blossom, for clavichord and electronics, is an open work in which the performer creates a form for each performance
Fredrick Gifford -
Prufrock/Alienation
quad-channel fixed media
Matt Ridge -
Spring’s Second Hand
violin and fixed media
Matt Ridge -
Bedimming
Dance in Two Movements
Breck McGough -
The Daydreamer Meditates
A programmatic statement on the composer's own inability to focus during guided meditation
Breck McGough -
Urban Sky Glow
for marimba and fixed media
Jonah Elrod -
Fissures
Fixed electronics
Sugar Vendil -
Test Site 3: Blood
For Prepared Piano and Electronics
Sugar Vendil -
There Was Yet No Heaven
There Was Yet No Heaven
Vahid Jahandari -
A Chamber of Mouthpieces
for 2-channel fixed media
Jonathan Wilson -
A Driving Figure
a dance film
Jonathan Wilson -
Ecesis
for 2-channel fixed media
Jonathan Wilson -
Chimerique
for laptop orchestra and narrator
Jonathan Wilson -
Prelude to Paper Dance
for 8-channel fixed media
Jonathan Wilson -
In Meditative Resonances
for 2-channel fixed media
Jonathan Wilson -
Wolf by the Ear
for 2-channel fixed media
Jonathan Wilson -
Ghosts Before Breakfast
for chamber ensemble and electronics
Jonathan Wilson -
A Chinese Triptych
A soundscape made with recordings of the Chinese cities of Hangzhou, Suzhou, Shanghai, Wuxi, Harbin and Beijing.
Juan Carlos Vasquez -
Bestiario
This is an electroacoustic piece crafted with synthetic materials as the main source of sound.
Fernando Laub -
Palm Tree Escape
Palm Tree Escape is a work in progress relating to the semiotic relationship with escape or paradise with the palm tree image.
Brad Moody -
“The Multitudes”
Ranging over vast, unexplored territories, my new album features richly contrapuntal electroacoustic textures, electro-pop, field recordings, and atmospheric sound design.
Chad Langford -
Art Market
fixed media
Ferdinando DeSena -
Requiem for the Living
Mixed Chorus and fixed media
Ferdinando DeSena -
only through fractures may light shine
Double Bass and Live 2-Channel Electronics
Christopher Poovey -
Dripstone
Baritone Saxophone and 2-Channel Fixed Media
Christopher Poovey -
TREMENDOUS!!
for bass clarinet, marimba, and electronics
Brian Sears -
The Wonders for guitar and fixed media 2017
“The Wonders” is one composition belonging to a larger international collaborative work entitled La Tempesta (2016). Inspired from the original Shakespeare work, “The Wonders” contemplates the importance of man’s relationship to nature; the oceans, and all life therein. It is hoped that “The Wonders” aesthetically persuades us to contemplate and consider our stewardship for the ecological survival of our oceans. From our thoughts come actions. Linda Marcel
Linda Marcel -
Service, Please!
A tape piece featuring the intricacies of a service bell.
Zachary Daniels -
Dart
Composition for cello and max/msp
Tom Williams -
Can
acousmatic composition - electroacoustic music
Tom Williams -
IRIVISKIA
VIOLIN-HORN DUO WITH COMPUTER-REALIZED SURROUND SOUND
Ewa Trebacz -
Flown
for voice and electronics
Stephen Hennessey -
Ethical Void
Three dark experimental sound pieces. Explores sound with abstract sound textures. Each piece is part of the process preparing for a live performance. All sounds were created in the box.
Brad Moody -
what i am not
version for fixed media
Heather Stebbins -
Exhale – a sound object
The sonic bed "Exhale" was featured at Roosevelt University Electroacoustic Festival (April, 2017)..
Beth Bradfish -
On a Raising Value of Ice (from “A.M.A. (Ask Me Anything)”)
Clarinet at the centre of an eclectic EDM fusion album
Stefan Kristinkov -
Incipit (from “A.M.A. (Ask Me Anything)”)
Clarinet at the centre of an eclectic EDM fusion album.
Stefan Kristinkov -
The Blind Owl
The Blind Owl
Vahid Jahandari -
The Vulture
The Vulture
Vahid Jahandari -
The Succubus: an electronic tone poem
A seven minute work for fixed medium. It's gotten a lot of play over the years. Enjoy!
Lance Hulme -
The Mirror
Forget The Wall, We need a Mirror!
José Martínez -
winnowing
Winnowing is a work for pianoa and electronics inspired by the movement of birds. The electronics part brings another layer to the piece by introducing synthetic piano sounds that follow their own laws of nature. In the culmination of the piece the acousmatic birds appear.
Maija Hynninen -
Fanfare for the Velasca Tower
The astounding view of Velasca Tower as a sort of score.
Francesco Bossi -
Modus Operandi
... there is a proper measure in doing things...
Francesco Bossi -
Time
Tick-tock
Leah Pesenson -
Modus
a mode of procedure :a way of doing something
Francesco Bossi -
Shaula: The Sting of Scorpius
I was inspired to write this piece after attending a Colorado Symphony Orchestra performance of only Claude Debussy works. In that spirit, the piece uses only the notes and harmonies found in the whole-tone scales, starting in E whole-tone and ending in D-flat whole –tone.
Alex Buehler -
Highway jalopy
the sounds are meant to evoke a car slowly breaking down and eventually ending up on the side of a desert highway, eventually abandoned by the owner.
Alex Buehler -
Ethereal Remission
imitate natural and animalistic noises. The fixed media includes sounds of whale calls, elk mating calls, and nightingale songs. There are three (3) parts of the piece, the first and third are imitations of the whale song and elk calls but the second part is set to contrast the other sections with percussive trombone techniques.
Alex Buehler -
Cardiac Cycle
written with two concepts in mind; the physical blood flow through a body and the concept of computer cycles. Embedded throughout the piece is an ever accelerating heartbeat, creating a sense of increasing panic and stress. This is coupled with the calm and repetitive sounds heard in the electronics and live processing.
Alex Buehler -
Chordochromies
for harpsichord and computer-realized sound
Ewa Trebacz -
ANC’L’SUNR
Spatial Soundscape with Orchestra in the Foreground
Ewa Trebacz -
Ligeia
for invisible soprano, ensemble and surround sound
Ewa Trebacz -
things lost things invisible
for Ambisonic space and orchestra
Ewa Trebacz -
Spinning Zone
for percussion trio and computer-realized sound
Ewa Trebacz -
EMANATIONS
NoiseFold (Cory Metcalf & David Stout) perform EMANATIONS with cellist, Frances Marie Uitti at the CURRENTS International New Media Festival. This clip excerpts 4 movements from a longer work presented at El Museo Cultural in Santa Fe, NM in the summer of 2012.
David Stout -
MINOTAUR
for horn and surround sound
Ewa Trebacz -
Riverrun
for Violoncello and Electronics
Brian Topp -
Maelstrom
for Multi-percussion and Electronics
Brian Topp -
Huayra-tata
for Clarinet and Electronics
Brian Topp -
Ljós
for Soprano Saxophone and Electronics
Brian Topp -
Beneath the Mountains
for Piano and Electronics
Brian Topp -
Insomnia
for Flute, Tape and MaxMSP
Brian Topp -
One Minute On The Surface Of The Sun
A Sonification Of Gamma Rays and Sine Waves
Erich Barganier -
Fading Out
Algorithmic Lullaby
Erich Barganier -
Protect Your Domain Name
Michael Daugherty - video; Ava Leavell Haymon - text
Stephen David Beck -
Funnel Cloud
Michael Daugherty - video
Stephen David Beck -
inChuck
for laptop orchestra
Stephen David Beck -
Vale Vêneto Remix
for fixed media
Stephen David Beck -
Quartet for Strings
Composition for haptic devices and virtual instruments
Stephen David Beck -
The Tunnel of Quantum Love
for fixed electronics
Hanna Lisa Stefansson -
Star Map
for flute and fixed electronics
Hanna Lisa Stefansson -
Ritual Habit
An electroacoustic music composition and dance collaboration
Hanna Lisa Stefansson -
Petit Hommage a Rene Magritte for fixed media (2017)
A short fixed media work inspired by a surrealist painting by Rene Magritte
Andres Luz -
青い空 (the Sky is blue)
Electronic work mixed with field recordings
Niels Mestre -
Turtles All The Way Up
for five performers
Brian Riordan -
“while the earth is still turning”
For piano and electronics
Brian Riordan -
Sound of the Baskervilles
A fixed media sound collage, whose title was granted permission by Milton Babbitt.
Mark Eden -
Arched Interiors II
for bowed piano and electroacoustic sound
Christopher Hopkins -
The Mirror of Enigma
for flute, bass clarinet, harp, marimba and electroacoustic sound
Christopher Hopkins -
Touché
for two clarinets and electroacoustic sound
Christopher Hopkins -
The Animus Winds
for flute and electroacoustic sound
Christopher Hopkins -
Sediment
for 3 bass drums and electronics
Aaron Hynds -
terminal loop
for Chinese flute and live electronics
Aaron Hynds -
Separate Realities
Inspired by the spiritual visions of five individuals
James Budinich -
Premonitions, Landscape at Twilight for electronic fixed media (2017)
Fixed media work based upon a painting by Salvador Dali, Spider of the Evening (1940).
Andres Luz -
El Perdido for baritone voice, fixed media, and live electronics (2017)
Art song for voice and electronics in Spanish
Andres Luz -
Ausgang
for guitar and live electronics
Stephen Hennessey -
Sorrows Weep Not
for Oboe, Guitar, and Live Electronics
Stephen Hennessey -
And everything in-between
Commissioned and dedicated to Krisztina Dér, "And everything in-between" explores different harmonic and rhythmic material through pop-culture musical idioms.
Jacob Thiede -
pathways, bursting [neurosonics 2]
A string quartet amidst an ambisonic sea of sonified rat neurons.
Andrew McManus -
Noopiming
A cappella choral work constructed in the computer from fragments.
Mike Olson -
De Novo
Percussion with electronics.
Mike Olson -
Lizamander
for Flute and Computer
Russell Pinkston -
TaleSpin
for Yamaha Disklavier and Electronic Sounds
Russell Pinkston -
Don’t Look Now
for String Quartet and Electronic Sounds
Russell Pinkston -
Breathing Voltages
Hardware-based analog modular synthesizer music.
Mike Olson -
Implied Movement
At times minimalist and pattern driven. At times warm and buzzy. Hardware-based electronic music.
Mike Olson -
North Loop
Live/studio hybrid composition using hardware-based electronic instruments.
Mike Olson -
Chamber of Mechanisms
Experimental electronic drone piece created from material generated on an ARP 2500 modular synthesizer.
Mike Olson -
Murmurations of the Krell
Experimental hardware-based live performance electronic drone piece.
Mike Olson -
Rotational Asymmetries
Electronic work for two vintage instruments. Slowly evolving. Warm. Buzzy. Minimal.
Mike Olson -
mesospherics
red sprites, blue jets, noctilucent clouds, whistling air, diffuse, faraway haze
Andrew McManus -
adagio for piano and soundplane
soundplane
bill pfaff -
Effusion
micro-collage, polystylism, rock, electronica
Scott Barton -
and drift
ensemble and electronics
Heather Stebbins -
minim
four channel fixed media
Heather Stebbins -
LOAM
viola and live electronics
Heather Stebbins -
No Entry After Dark
No Entry After Dark
Matthew -
Green Shake
A composition used Electronic music, Visual element and Interactive between performers and audience
Rui Zong -
Neurosonics I
ambisonic spatialization of sounds from firing neurons
Andrew McManus -
Reveal
Deconstructing an instrument is a revelation, because it unsettles the myth, causing a change in the listeners’ perception. The guitar is the source for all the sounds presented in this piece, which emphasizes the ones that have been hidden by the instrument’s technique and repertory, or unnoticed due to their low volume.
Diogo Carvalho -
Tacna Three
6-MINUTE PIECE FOR VIOLA, LIVE ELECTRONICS, AND GLOVE CONTROLLER
Seth Thorn -
Verdacht
12-minute piece for viola, live electronics, and glove controller
Seth Thorn -
Séquence et Vitesse
Interactive audio and visuals
Benjamin -
excision no. 1
for solo percussion and live electronics
Tina Tallon -
Random Access
For Alto Saxophone and Live Electronics
John Mayrose -
Unstrung
Acousmatic Work
Corey Cunningham -
A Natural Perspective
Dance Collaboration
Corey Cunningham -
Bind Up My Wounds
Acousmatic Work
Corey Cunningham -
Take a Place in the Light
Acousmatic Work
Corey Cunningham -
Shadows
Recorded from a Yamaha DSR-2000 and a Roland HS-60.
Thomas Brosh -
The Hostage
Musical, scored for live Yamaha DSR-2000 synthesizer.
Thomas Brosh -
Star Chant
Recorded from a Casio 1000-P synthesizer.
Thomas Brosh -
Class Notes
Recorded from a Casio 1000-P synthesizer.
Thomas Brosh -
Aeolian Suite: To H.R.G.
Recorded from a Roland SH-101 synthesizer. Work is in 6 movements.
Thomas Brosh -
Innerchange III: To T.E.N.
Recorded from a Casio 1000-P synthesizer.
Thomas Brosh -
Innerchange II: To D.G.
In 4 movements.
Thomas Brosh -
Series One: Variations – To T.T.L.
Recorded from a Casio 1000-P synthesizer, the work is in 3 movements.
Thomas Brosh -
Music for Six Instruments and Prepared Tape
7 distinct taped segments, recorded from an EMS "Putney" VCS 3 synthesizer.
Thomas Brosh -
Dreams Unwind
for Piano and Live, Interactive Electronics
Brian Sears -
STRING 1
a year's worth of recordings of electroacoustic music using sounds from everywhere.
John Wiggins -
Celluloid Veil
for microtonally adapted keyboard
Alexander -
You can’t have it both ways (I don’t believe)
for Solo Oboe and Interactive Electronics
Alexander -
Zoetrope
Dartmouth Digital Synthesizer
Jon Appleton -
Yuri Does America
Source material from Russian music, internet, and voice of Yuri Spitsyn and the composer.
Jon Appleton -
Yamanotesen to Ko
Source material recorded in Tokyo, Japan
Jon Appleton -
Wintersun
Fixed Media Piece
Jon Appleton -
Variations on a theme by Rachmaninoff
Source material from the Rachmaninov 'Etude Tableau'.
Jon Appleton -
Untitled
Synclavier piece
Jon Appleton -
Times Square Times Ten
Source material collected in New York City.
Jon Appleton -
The visitation
Fixed Media Piece
Jon Appleton -
The sweet dreams of Miss Pamela Beach
for Synclavier and Fixed Media
Jon Appleton -
The Tale of William Mariner
Companion piece to The Snow Queen
Jon Appleton -
The Sydsing Camklang
Composed using the Dartmouth Digital Synthesizer.
Jon Appleton -
The Snow Queen
Based on the Hans Christian Andersen story with music for Synclavier and narration by the composer.
Jon Appleton -
The Lament of Kamuela
A full length musical/dramatic work with an original lyrics and libretto by the composer.
Jon Appleton -
The Bremen Town Musicians
Concerto for Piano and Twelve Toy Instruments with Narrator.
Jon Appleton -
Syntrophia
Composed using the Dartmouth Digital Synthesizer.
Jon Appleton -
Synaeresis
Text and narration by Philip Johnson.
Jon Appleton -
Subject to Fits – Opera
Incidental Music
Jon Appleton -
Subject to Fits – Natasha’s Song
Incidental Music
Jon Appleton -
Subject to Fits – Myshkin and Chorus (without voice)
Incidental Music
Jon Appleton -
Subject to Fits – Myshkin and Chorus (with voice)
Incidental Music
Jon Appleton -
Subject to Fits – Myshkin (without voice)
Incidental Music
Jon Appleton -
Subject to Fits – Aglaya
Incidental Music
Jon Appleton -
Study No. 3
Piano sounds.
Jon Appleton -
Study No. 2 (Concrete)
Piano sounds.
Jon Appleton -
Study No. 2
Fixed Media Piece
Jon Appleton -
Study No. 1
The composer's first electro-acoustic work
Jon Appleton -
Stereopticon
Composed using the Synthi 100 synthesizer.
Jon Appleton -
Spuyten Duyvil
Fixed Media Piece
Jon Appleton -
Sones de san Blas
Source material collected in Mexico with the voice of Marysa Navarro.
Jon Appleton -
Sonaria for Synclavier Alone
for Synclavier
Jon Appleton -
Sheremetyevo Airport Rock
Material from Moscow's Sheremetyevo Airport and from interviews
Jon Appleton -
Sashasonjon
In memory of the the composer's step-father Alexander 'Sasha' Walden.
Jon Appleton -
Quiff
Fixed Media Piece
Jon Appleton -
Quiet Piece
An adaptation of Burdock Birds.
Jon Appleton -
Primary experience C
Tape music techniques using children's voices
Jon Appleton -
Primary experience B
Tape music techniques using children's voices
Jon Appleton -
Primary experience A
Tape music techniques using children's voices
Jon Appleton -
Prelude
for Synclavier
Jon Appleton -
Pilobolus
Score for a dance by Pilobolus
Jon Appleton -
Pacific Rimbombo
For a computer music instrument invented by Max V. Mathews.
Jon Appleton -
‘Otahiti
A political piece in protest against French nuclear testing in the Pacific.
Jon Appleton -
Oskuldens Dröm
The Dreams of the Virgins
Jon Appleton -
Nyckelharpen Variations
Source material from Norwegian 'keyed fiddle' called the Nyckelharpa.
Jon Appleton -
Nukuoro
Fixed Media Piece
Jon Appleton -
Nevsehir
Source material collected in Turkey.
Jon Appleton -
Narita Airport Rock
Source material recorded in Tokyo, Japan.
Jon Appleton -
Mussems Sång
Material from EMS synthesizer in Stockholm, Sweden and artificial voice created on Johann Sundberg's voice synthesizer called 'Musse'
Jon Appleton -
Music for Ciona
Fixed Media Piece
Jon Appleton -
Marco Polo Revisited
Fixed Media Piece
Jon Appleton -
Little Red Riding Hood (Rodluvan)
Source material from Buchla synthesizer and the voice of Axel Bodin.
Jon Appleton -
Kungsgatan 8
The first computer music composition produced at Elektronmusikstudion Stockholm
Jon Appleton -
Kapingamarangi
for Synclavier
Jon Appleton -
Kamuela
(Return to Waimea)
Jon Appleton -
JJ Pop
material from songs of the composer's son JJ Appleton
Jon Appleton -
Infantasy
Tape music techniques using infant voices
Jon Appleton -
In Deserto
Material from the Dartmouth Digital Synthesizer.
Jon Appleton -
Human Music 6
in collaboration with Don Cherry
Jon Appleton -
Human Music 5
in collaboration with Don Cherry
Jon Appleton -
Human Music 4
in collaboration with Don Cherry
Jon Appleton -
Human Music 3
in collaboration with Don Cherry
Jon Appleton -
Human Music 2
in collaboration with Don Cherry
Jon Appleton -
Human Music 1
in collaboration with Don Cherry
Jon Appleton -
Hommage to G.R.M.
The composer's only work using exclusively sounds from a Moog III synthesizer.
Jon Appleton -
Homenage a Milanes
Sources recorded in Havana, Cuba
Jon Appleton -
Hay Fever
Fixed Media Piece
Jon Appleton -
Gujari Todi
Fixed Media Piece
Jon Appleton -
Ghost Sonata
Incidental music to the play of the same name.
Jon Appleton -
Georgannas farewell
for tape and early digital sound sources.
Jon Appleton -
Georganna’s fancy
Fixed Media Piece
Jon Appleton -
Filhos da Nana
The first of several songs for children in Brazilian orphanages
Jon Appleton -
Eros Ex Machina
Fixed Media piece
Jon Appleton -
Duobatoni
Fixed Media piece
Jon Appleton -
Duo for Oscar
For one performer who plays alternately and together on both keyboard instruments.
Jon Appleton -
Dr. Quisling in Stockholm
A political piece in protest of the conditions for composers working at Elektronimusikstudion Stockholm
Jon Appleton -
Double Structure
(with Christian Wolff)
Jon Appleton -
Degitaru Ongaku
for Synclavier - digital instrument available
Jon Appleton -
Correspondences amoreuse des Isle Marquises
Source material: recordings made in Nuku Hiva in the Marqueses Islands.
Jon Appleton -
Columbia etude no. 1
Tape spliced exercise
Jon Appleton -
Chef’s d’oeuvre
Fixed Media piece
Jon Appleton -
Ce que signifie la declaration des droits de lhomme et du citoyen
Voice: Colette Gaudin
Jon Appleton -
C.C.C.P.: In Memoriam Anatoly Kuznetsov
Source material from old Russian recordings and BBC interviews.
Jon Appleton -
Burdock birds
Musique concrete using synthezied and real birds sounds for outdoor performance
Jon Appleton -
Brush Canyon
Synclavier and sampled sounds
Jon Appleton -
Boum sha boom
Source material 1950s American pop music with voices of Colette Gaudin and the composer.
Jon Appleton -
Bombay
for Synclavier - digital instrument available
Jon Appleton -
Boghosian’s piece
A.K.A. 'Hommage to Orpheus'
Jon Appleton -
Apolliana
Source material from Moog synthesizer, voices of moon landing, toy astronauts and Richard Nixon.
Jon Appleton -
A Swedish Love Song for Voice and Synclavier
for Voice and Synclavier
Jon Appleton -
A Few Thoughts for the Day
Collaboration with Tom Scott and Bob Thiele for LP 'Bob Thiele Emergency'
Jon Appleton -
‘Ofa atu Tonga
Work using real and fabricated source material from the Kingdom of Tonga.
Jon Appleton -
Sonaria for Choir and Synclavier
for Choir and Synclavier - digital synclavier now available - see link below
Jon Appleton -
Scene Unobserved
A black and white film by Jon Appleton, Wayne Wadhams, Pierre Payne, John Mellquist (poetry) made to the music.
Jon Appleton -
N’air sur le lit
in collaboration with Paul Botelho
Jon Appleton -
Die Herrlichkeit Loch in den Bundling Bord
in collaboration with Paul Botelho
Jon Appleton -
House
Audio Visual
Mya Payne -
After the Storms
for fixed media with optional video
Elliott Grabill -
Pranayama
for fixed media with optional video
Elliott Grabill -
Un Jardin
for fixed media with optional video
Elliott Grabill -
Alarm
for flute and live electronics
Elliott Grabill -
Planet Heart
for clarinet and live electronics
Elliott Grabill -
Darl
for clarinet and live electronics
Elliott Grabill -
SHADOW
FOR VIDEO AND ELECTRONIC
Shijie W ang -
The Oscillation
for electric guitar and live electronic
Shijie W ang -
Selected Scores
Selected Scores
Jeff Kaiser -
The streaming location of my catalog
The streaming location of my catalog
Jeff Kaiser -
Kitchen Dance
for improvisers and electronics
Christine Hedden -
Prayer Flags
for solo viola and electronics
Christine Hedden -
Bonneville Park
Baseball, high altitude, and the harmonic series.
Devin Maxwell -
Lösgöra
Acousmatic work
Jon Fielder -
Obscuridad
Acousmatic work
Jon Fielder -
Amphora
Acousmatic work
Jon Fielder -
Wind Chimes Clatter through the Mist and Fog
Acousmatic work
Jon Fielder -
This, I Cannot Escape
Acousmatic work
Jon Fielder -
Cross-threaded
Acousmatic work
Jon Fielder -
The Mind is its Own Beautiful Prisoner
Wind quintet and fixed electronics
Jon Fielder -
Dissociation Sequences (C23H28O8)
Brutal cello and electronics piece
Jon Fielder -
Bellowing Thunder, Crimson Sky
Saxophone and Drum Set
Jon Fielder -
Vous l’Inaccessible
Re-imagining of Machaut's "Douce Dame Jolie"
Jon Fielder -
Fractured Memories
Oboe and live electronics
Jon Fielder -
Bowing to the Roaring Storm, Their Songs Never Cease
Improvisatory mobile-form soundscape
Jon Fielder -
“Real-Time Processing Improv”
real-time signal processing of improvisers
Brian Riordan -
Antagonism Constellation Factory
Stereo fixed media; found and synthesized sounds
Nicolas Chuaqui -
Desert Presence
For guitar and electronics
Nicolas Chuaqui -
Break Free
For violin duo and electronics
Nicolas Chuaqui -
Ghosts of Cluny
fixed media
Timothy Roy -
Wunderkind
toy piano and fixed electronics
Timothy Roy -
Behind the Back
Work for pipa (traditional Chinese lute) and electronics (triggered fixed media and some live processing). Commissioned by The Little Giant Chinese Chamber Orchestra for Su Yun-Han.
Timothy Roy -
Surveillance State for soprano, alto saxophone, fixed media, and live electronics (2015)
A 19-minute work in three movements examining the impact of the National Security Agency's (NSA) massive surveillance programs on the condition of Americans' Fourth Amendment right to privacy.
Andres Luz -
Driftwood Box Puzzle
Structured improvisatory musical figures with strictly notated sections create contrasting textures juxtaposed with one another.
Philip Schuessler -
Monochrome Variations
Spectral work that uses color notation to indicate gradual shifts in timbre
Philip Schuessler -
Piano Roll
Vidéomusique
Benjamin -
Hallelujah
for vibraphone and mono speaker
Joo Won Park -
Armor+2
a piece inspired by classic synthesis techniques and RPG games
Joo Won Park -
Coelacanth
For Bass Trombone, Amplified Octet, and Responsive Electroacoustic Environment
Daniel -
Bought and Sold
Exploration of how context affects the listener's reception of music through contextual manipulation of a famous musical example.
Garrett Hecker -
Spring Tides
Spring Tides, scored for amplified Pierrot Ensemble (fl, cl, vln, vc, pno) was called '...a rich and evocation of the power of nature..." by the New York Times
Judith Shatin -
Cherry Blossom and a Wrapped Thing; After Hokusai
Inspired by a subtle print by Hokusai, this piece was commissioned by F. Gerard Errante, for his CD 'Delicate Balance.'
Judith Shatin -
Penelope’s Song
Penelope's Song, inspired by the Odyssey, dramatically combines electronics fashioned from recordings of wood looms with the agile power of the flute.
Judith Shatin -
Intersections
for human and robotic musical ensemble
Scott Barton -
tin birds
generative four-channel audio installation
Warren Enström -
Storyland
A Creepy trip to the Zoo
John Oparyk -
Anaīs Nin Blushed
Organic sounds trigger synthesis
John Oparyk -
The Bringer of Life
Performance Notes: The Bringer of Life is a programmatic composition representing the Panspermia Theory with musical elements. The sharp rhythms, dense textures, and freely chromatic harmonies are orchestrated in a manner that, in my mind, programmatically represents celestial bodies impacting our planet in it’s beginning stages billions of years past. This work should be performed aggressively, in strict time (no rubato), and with no breaks (rit) in between ‘sections.’ It might be helpful to imagine comets striking our planet’s surface when internalizing The Bringer of Life.
chad Powers -
A BLADE WITHIN
I find myself sometimes lost and unsure within the compositional process. Whether the work is an acoustic, electronic, or a combination of both, I often find the struggle is the same. A Blade Within is a fix media 2 channel stereo work that found it's conception within the struggle of the composer's processes. I try to express these subjective operandi by means of raw, as well as manipulated sound sources. The final gesture of the work accentuates the nucleus of the main idea.
chad Powers -
Sylvian’s Wood
Originally released on the 2000 compilation Owasso Night Atlas, Sylvian's Wood (1996-98) convolves the voices and music of many 1980s pop singers.
Christopher DeLaurenti -
Live at the Third Practice Festival – November 2, 2013
Held at the University of Richmond in Virginia, Third Practice is an annual festival devoted to adventurous acoustic and electronic music. See www.thirdpractice.org for details. Live and unedited with no post-performance processing or overdubs: I improvised a short set in AudioMulch layering, mixing, and processing acoustic and electromagnetic field recordings.
Christopher DeLaurenti -
Deckle
Stridulating, dub-like glitch with tilting planes of reverb and echo. Deckle was created as a pocket remix for Wyndel Hunt's album Sunshine Noir released in 2010 by Dragon's Eye Recordings.
Christopher DeLaurenti -
Below the written pitches of Brian Ferneyhough’s Superscriptio for solo piccolo
Another installment in my found soundscape series; Below the written pitches spectrally extracts sound beneath the written pitches of Brian Ferneyhough's Superscriptio for solo piccolo to reveal recording anomalies, latent undertones, and mechanical noises.
Christopher DeLaurenti -
Eroding Mountains
song-based electronic experimentalism via audio production, microtonality, narration, discontinuity
Scott Barton -
Opus Palladianum: Voice and Drums
beat-based rhythmic complexity; integration of stylistically diverse materials; discontinuity
Scott Barton -
Oberlin Audition Dance Video
Spacious Electronics to reinforce the choreography of William Forsythe
Matthew Perez -
Drop Dead (Long Top)
Juxtaposition between Modern Dance Music and Baroque music
Matthew Perez -
Everyday Occurrences
Analog Electronics focusing on distorted timbres
Matthew Perez -
Shadows of the Electric Moon
This is essentially a solo snare piece, though a few other ancillary instruments are called for. An audio exciter, controlled by an onstage laptop, directly vibrates the head of the drum.
Per Bloland -
Solis Overture
This is an overture to my opera Pedr Solis, though the instrumentation is quite different.
Per Bloland -
Solis-EA
The percussion is accompanied by a virtual 8-string instrument with LOTS of feedback and distortion.
Per Bloland -
Wood Machine Music
This piece is an exercise in distortion and overpressure. The string quartet is processed, while the clarinet and percussion are merely amplified.
Per Bloland -
Of Dust and Sand
This piece uses the Electromagnetically-Prepared Piano, a device co-created by the composer. The electromagnets vibrate the piano strings while the performer attempts to manually dampen them. Releasing that damping results in a note.
Per Bloland -
Monument III: Charleston, Summer of 2015
Two movements for wind ensemble and live electronics, dedicated as a tribute and memorial to the nine men and women murdered in an act of racist terrorism while at prayer in Emanuel African Methodist Episcopal Church in Charleston, South Carolina in June 2015.
Scott Blasco -
Pentecost
Eight-channel fixed media meditation on the liturgical feast of Pentecost.
Scott Blasco -
Four Songs from The Caucasian Chalk Circle
Song cycle for mezzo-soprano and fixed media, setting texts from the play by Bertolt Brecht.
Scott Blasco -
Queen of Heaven
Five movements for piano and electronics presenting five meditations on the Virgin Mary. Written for pianist Kari Johnson.
Scott Blasco -
Patriot Missile
This is a five movement workreflects abstractly on concepts and events described in journalist Robert Fisk’s book “The Great War for Civilisation: The Conquest of the Middle East.”
Christopher Biggs -
Recombinant Serenade
This work is based on Serenade by Benjamin Britten and was for Lin Foulk.
Christopher Biggs -
Object Metamorphosis
This work is based on a minimalist artwork by Jorge Almodovar. The piece is influenced by spectralism.
Christopher Biggs -
Object Metamorphosis II
This is an abstract piece of music influenced by spectralism
Christopher Biggs -
Externalities
This work reflects on the impacts of production and purchasing not taken into account in the costs of goods.
Christopher Biggs -
Amass
This work is about the moments when people come together to resist power.
Christopher Biggs -
Greed
Greed models itself on processes of accumulation.
Christopher Biggs -
Biodiversity
This work reflects on human impacts on biodiversity.
Christopher Biggs -
Decoherence
This is a work for trumpet and live audiovisual media based on an idea in quantum physics.
Christopher Biggs -
Contraposition
This is a work for piano modeled on a Baroque keyboard suite. There are five movements, any of which can be performed in any order.
Christopher Biggs -
Convexed Origins
for moving flutist and pre-recorded electronic part
Jane Rigler -
Traces/Huellas
flute and live electronics
Jane Rigler -
the calling
flute and live electronics
Jane Rigler -
Heterogeneous
This piece is an expression of the duality of human beings, torn between desire and solitude.
Joungmin Lee -
Weav-Weav-Weaving for harp and interactive electronics
Three movement work for harp, electronics, and motion sensor inspired by the poetry of Edna St. Vincent Millay
Jennifer Ellis -
Stairway Fragments
Chamber Ensemble and Fixed Media
Brian Sears -
GATES
Eight channel acousmatic composition awarded First Prize in the 2014 ASCAP/SEAMUS Student Commission Competition.
John Nichols III -
Big Gizmo
computer-assisted composition and computer-generated sounds (additive synthesis) produced with DISSCO
Sever Tipei -
Alphabet for solo percussion and fixed electronics
Alphabet for solo percussion and fixed electronics is a flexible multi-movement work for a single percussion instrument and fixed electronics comprised of that instrument. Each short movement is based on a letter of the alphabet.
Janis Mercer -
Heliacal Rising
An interactive acoustic piece for pianist, Disklavier, and Max
Edwin Kenzo Huet -
Prism
An interactive acoustic piece for pianist, Disklavier, and Max
Edwin Kenzo Huet -
Meridian
Cataclysmic textural narrative
Edwin Kenzo Huet -
Edgeplay
Guided improvisation with spectral processing
Stephen Lilly -
Erin
Chords voiced as beating sine tones.
Stephen Lilly -
Composition for S#|††¥ Piano, Drum Samples, Concrète Sounds, and Processing
for crappy piano and live electronics (via MAX/MSP)
Christopher Chris Bailey -
Breathing 2: Re/Inspiration
fixed audio piece using recordings of breath sounds, toys and whistles
Michael Pounds -
Cry Out
for trumpet and fixed audio
Michael Pounds -
Cumulative Deviance
For mobile device orchestra
Ryan Carter -
Memory Failure
A short fixed media work
Ryan Carter -
iMonkeypants
An album of five algorithmically generated compositions in the form of an iOS app
Ryan Carter -
Latency in the System
A 5-track set of algorithmically generated electronica
Ryan Carter -
Trying to Connect
For laptop orchestra
Ryan Carter -
I Fioretti in Musica
An opera for voices, live processing, fixed media, actors, dancers, puppeteers, video projection, and a stray cat
Ryan Carter -
20 (or so) Variations
For trio and fixed media
Ryan Carter -
From this point on
For saxophone duo and fixed media
Ryan Carter -
Four or Four Plus One
For string quartet and fixed media
Ryan Carter -
A Robot for a Friend
For flute with or without fixed media
Ryan Carter -
Headless Monkey Attack
For quintet and fixed media
Ryan Carter -
impaired contact with reality
For large amplified ensemble and stereo fixed media
Ryan Carter -
Meiso (Meditation)
FIXED MEDIA PIECE USING RECORDINGS OF A KOTO.
Michael Pounds -
THREE MOVEMENTS – Nirvana
for soprano saxophone and live electronics
Zhixin Xu -
Three Movements – Misshape
for baritone saxophone and live electronics
Zhixin Xu -
Three Movements – Iambic
for alto saxophone and live electronics
Zhixin Xu -
Warmth for Fixed Media and Video
Justly-tuned guitar harmonic samples composed with rhythmic ratios and pleasant squares.
Gabe Berry -
Lobby Reforms
Kyma processing of voices and lobby sounds
Brian Belet -
Fractus IV: Bonesaw
for trombone and live electronics
Eli Fieldsteel -
Fractus III: Aerophoneme
for flute and electronic sound
Eli Fieldsteel -
Fractus I
for trumpet in C and electronic sound
Eli Fieldsteel -
Hajiki (Pluck)
Fixed media piece using recordings of a Japanese shamisen.
Michael Pounds -
embed (live)
Electric Guitar & Interactive Electronics
Benjamin -
HUNGER (Part III): A Multimedia Opera in Four Parts
for two sopranos, baritone, alto flute, bass clarinet, baritone saxophone, electric guitar, percussion, piano, violin, cello, electronics, & video
Jason Thorpe Buchanan -
gimme shelter
for three percussionists, electronics, and video processing
Jason Thorpe Buchanan -
walkside, lost
for three percussionists, electronics, and video processing
Jason Thorpe Buchanan -
Second Study for Alto Saxophone, Video, and Electronics: pulp
for solo alto saxophone, live video processing, and electronics
Jason Thorpe Buchanan -
Asymptotic Flux: First Study in Entropy
for bass clarinet, violin, viola, cello, and electronics
Jason Thorpe Buchanan -
Graveyard Shift
for video and electronics
Farcry Zuke -
Irrational Rationalities
for flute, clarinet, violin, bass, piano, trombone, and electronics
Keith Kirchoff -
Seeing the Past Through the Prism of Tomorrow
for piano and live electronics
Keith Kirchoff -
crook’d
for bassoon and live electronics
Keith Kirchoff -
oNe
for pitched (or non-pitched) object and live electronics
Keith Kirchoff -
oNe
for pitched (or non-pitched) object and live electronics
Keith Kirchoff -
White Canvas
for piano and live electronics
Keith Kirchoff -
OverDrive
for toy piano, live electronics, fixed media
Keith Kirchoff -
Local Equilibrium Dynamics
Written for SPLICE Ensemble
Adam Vidiksis -
The Adventures of Norby
for piano and electronics
Keith Kirchoff -
Transfigurations
for chamber orchestra and live computer processing
Adam Vidiksis -
Transfigurations
for orchestra and live computer processing
Adam Vidiksis -
Mitochondrial Dreams
for percussion and live computer processing
Adam Vidiksis -
Things That Live in the Whirligig
for percussion and live computer processing
Adam Vidiksis -
synapse_circuit
for percussion and live computer processing
Adam Vidiksis -
Ring, Resonate, Resound
_________________________________________________
Leah Reid -
Resonances
for metallic percussion and live electronics
Jacob Sudol -
…approaching a prayer
for piano and electronics
Jacob Sudol -
“…wash yourself of yourself”
for piano and live electronics
Jacob Sudol -
Trefoil Knots (総角)
for cello and live electronics
Jacob Sudol -
Wind in Spring
for alto flute or flute and live electronics
Jacob Sudol -
The Floating Bridge of Dreams (夢浮橋)
for violin and live electronics
Jacob Sudol -
Vanished into the Clouds (雲隠)
for cello or viola and live electronics
Jacob Sudol -
Peculiar Galaxies: UGC 4881
Peculiar Galaxies: UGC 4881
Samuel Pellman -
descent #7
brought to you by Carl's Jr.
Jacob Sundstrom -
Dystopia
for Laptop Ensemble
Maxwell Tfirn -
White Turbulence
White Turbulence
Maggi Payne -
Moiré
Moiré
Maggi Payne -
ReCycle
ReCycle
Maggi Payne -
Beyond
Beyond
Maggi Payne -
Fizz
Fizz
Maggi Payne -
Glassy Metals
Glassy Metals
Maggi Payne -
System Test (fire and ice)
System Test (fire and ice)
Maggi Payne -
Arctic Winds
Arctic Winds
Maggi Payne -
Apparent Horizon
Apparent Horizon
Maggi Payne -
Distant Thunder
Distant Thunder
Maggi Payne -
Fluid Dynamics
Fluid Dynamics
Maggi Payne -
Reverberance
for Tam-Tam and Live Electronics
Brian Sears -
…and veiled between
for 5 channel fixed media
Brian Sears -
Live in the Moment; Live in the Breath
for Trumpet and Live Electronics
Brian Sears -
…beneath the universal strife, the hidden harmony in all things
for Percussion Trio and Live Electronics
Brian Sears -
Drift
for fixed media electronics
Ed Martin -
Drift
for fixed media electronics
Ed Martin -
Time Passed
for fixed media electronics
Ed Martin -
Dominant
for fixed media electronics
Ed Martin -
Swirling Sky
for Piano and Electronics
Ed Martin -
Swirling Sky
for Piano and Electronics
Ed Martin -
Swirling Sea
for Euphonium and Electronics
Ed Martin -
Flurry
for Soprano Saxophone and Electronics
Ed Martin -
Biota
for Tenor Saxophone and Electronics
Ed Martin -
Apparitions
for Alto Saxphone and Electronics
Ed Martin -
Bright Waves
Piano Version
Daniel -
Bright Waves
Percussion Duo Version
Daniel -
Contrails
Aus Liebe Will Mein Heiland Sterben
Daniel -
Space-time Julienne
for percussion trio and live electronics
Paul Schuette -
sliced attractor
for drum set and live electronics
Paul Schuette -
Puzzle Pieces
for piano and live electronics
Paul Schuette -
smudge
for tuba and live electronics
Paul Schuette -
Look to Third
for alto flute, bass clarinet, piano, percussion, viola, cello and live electronics
Paul Schuette -
Two drones
Kaleida and Threnos
Marco Buongiorno Nardelli -
Bamboo’s Ghost
for tape
Marco Buongiorno Nardelli -
Music for 88 keys
to Conlon Nancarrow, in memoriam
Marco Buongiorno Nardelli -
rain over tallin
(dedication to Arvo Pärt)
Marco Buongiorno Nardelli -
Ossi di seppia
Cuttlefish bones
Marco Buongiorno Nardelli -
Canto notturno (di un pastore errante dell’Asia)
Night chant (of a wandering shepherd of Asia)
Marco Buongiorno Nardelli -
Contrappunto
Invention for data stream #1
Marco Buongiorno Nardelli -
Ricercare
Inventions for data streams #2
Marco Buongiorno Nardelli -
EleKtrIoN
music of diamond
Marco Buongiorno Nardelli -
Small Groups of People Bring Collapse
Laptop Anarchy
Maxwell Tfirn -
Traversing Eternity
Exploration of Stars
Maxwell Tfirn -
Inter Diabolus et Virgo
Between the Devil and a Virgin
Maxwell Tfirn -
Vorticose
Acousmatic music
Connor Eichinger -
Foreign Masonry
for baritone saxophone and live electronics
Jason Charney -
Phase Change
for oboe, stereo fixed media
Jason Charney -
Axis Mundi – 34.2320° N, 82.8945° W
for Cl, Pn, Percussion, and Electronics
chad Powers -
Crosswinds
-
Kyle Vanderburg -
Reverie of Solitude
-
Kyle Vanderburg -
Still Harmless [BASS]ically
Electric bass and Kyma
Brian Belet -
Lyra
Violin and Kyma
Brian Belet -
System of Shadows
Trumpet, Flugelhorn (one performer) and Kyma
Brian Belet -
Name Droppings
fixed electronics (voices)
Brian Belet -
Remembering Allen
fixed electronics (voice)
Brian Belet -
Sea Lion Mix
fixed electronics (sea lions and voices)
Brian Belet -
Summer Phantoms: Nocturne
Piano and fixed electronics
Brian Belet -
Midnight Bass Stroll
fixed electronics (processed contrabass)
Brian Belet -
Ion Trails (Cloud Chamber Storms)
Percussion (one performer) and Kyma
Brian Belet -
Earth Tones
for Fixed Media
James Mobberley -
A Plurality of One
for Clarinet and Fixed Media
James Mobberley -
Going With the Fire
for Flute and Fixed Media
James Mobberley -
BEAMS!
for Trombone and Fixed Media
James Mobberley -
Caution to the Winds
for Piano and Fixed Media
James Mobberley -
Dialogue
for Performer and Computer
James Mobberley -
Aspenglow
for Fixed Media
James Mobberley -
Critical Mass
for Organ and Fixed Media
James Mobberley -
Soggiorno
for Violin and Fixed Media
James Mobberley -
In Bocca al Lupo
for Violin and Fixed Media
James Mobberley -
Spontaneous Combustion
for Soprano/Alto Saxophone and Fixed Media
James Mobberley -
Into the Maelstrom
for Piano and Fixed Media
James Mobberley -
TNT (Turetzky’n’Tape)
for Contrabass and Fixed Media
James Mobberley -
Icarus Wept
for trumpet and fixed media
James Mobberley -
Study for Vox Inhumana
for Fixed Media
James Mobberley -
Let’s celebrate our corpse-strewn future!
for chamber ensemble and electronics
Ethan Hayden -
“…ce dangereux supplément…”
for solo voice (with optional electronics & video)
Ethan Hayden -
In Wahrheit saß ein buckliger Zwerg darin, der ein Meister im Schachspiel war und die Hand der Puppe an Schnüren lenkte
or kalimba and electronics
Ethan Hayden -
bats with baby faces in the violet light
for two-channel fixed media
Ethan Hayden -
Voices: In Memoriam
for Piano with Live Electronics
James Mobberley -
Vox Metallica
for Fixed Media
James Mobberley -
Alter Ego for ‘cello and Fixed Media
Homage á Hrothgar
James Mobberley -
Phenomena
for Solo Piano (4 of 6 movements with Fixed Media)
James Mobberley -
Ascension
for Wind Ensemble and Fixed Media (1988/rev.2010)
James Mobberley -
Playing Fields
Music for a Collaborative Art/Music Installation with Visual Artist Brett Reif
James Mobberley -
Once Again to the Light
for Alto Saxophone and Fixed Media
James Mobberley -
Fantasy in Earth Tones
for wind ensemble (grade 3-4) and fixed media
James Mobberley -
The Unpurged Images of the Day
for amplified trombone, amplified piano and fixed media
James Mobberley -
Blueprints of Eternity
-
Kyle Vanderburg -
Creatures from the Black Bassoon
-
Kyle Vanderburg -
Music, Walk with Me
10 minute edit
Jared Rosen -
(Trrt)
for Bass Clarinet and Live Electronics
Andres Gutierrez Martinez -
White/Waves
For large ensemble and electronics
Sky Macklay -
Harmonibots
A sonic and kinetic installation of harmonica-playing inflatable sculptures
Sky Macklay -
Hirondelle
Electroacoustic song for viola, synthesizer, hand percussion and voice
Hannah Selin -
Back and Forth
for instruments and electronics and tea kettle
Jordan Plotner -
Earth
fixed media audio
Steven Kemper -
Carcinoma
fixed media audio
Steven Kemper -
Neoga
fixed media audio and video
Steven Kemper -
At the Crossing of Five Paths
for flute and computer
Steven Kemper -
Mystification
for flute, clarinet, piano, violin, cello, and computer processing
Steven Kemper -
Anticenter Stream: Composition, Old Stars
cello and computer
Steven Kemper -
F.A.K. 120
Video Triptych Part 2
Brian Hernandez -
Integrated Elements No. 2 “Not a Haiku”
for multiple percussion and fixed media
Robert McClure -
Integrated Elements No. 3 “Divide by Five”
for gyil and fixed media
Robert McClure -
Failing to Resist
for fixed media
Robert McClure -
Passacaglia on a theme by Mark Rothko
for steel pan and fixed media
Robert McClure -
now our grief is put away
with text by Anne Shaw
Robert McClure -
The Gate
for string quartet and computer
Robert McClure -
untangle my tongue
with text by Anne Shaw
Robert McClure -
The Lightning Field
with text by Anne Shaw
Robert McClure -
Travelscapes
for fixed media
Robert McClure -
Homologic
for bass flute, clarinet, and computer
Robert McClure -
Mythical Spaces
for amplified percussion and computer
Steven Kemper -
BabyBirdBeat
Fixed Media
Benjamin -
Densité
Fixed Media
Benjamin -
OSCines
Fixed Media
Benjamin -
along the eaves
Fixed Media
Benjamin -
Test Pattern
for Max/MSP
Will Huff -
On Occasion
an algorithm
Will Huff -
HarpMusic
an algorithm
Will Huff -
PianoMusic
an algorithm
Will Huff -
Singular
an algorithm
Will Huff -
Tintinnabuli
an algorithm
Will Huff -
For Daniel Frantz
an algorithm
Will Huff -
Zelik
on a Yiddish folk song
Annika Socolofsky -
a sense of who
for fixed media & chamber ensemble
Annika Socolofsky -
Infernum
Images from the Solar Dynamic Observatory
Greg Wilder -
Amplifying Altitude
site-specific, multi-channel, immersive installation
Greg Wilder -
Moment of First Awakening
for Video and Processed Piano
Greg Wilder -
Interlude
for Marimba and Computer
Greg Wilder -
Sonification Study No. 1
Music from the Isomer Project
Greg Wilder