SEAMUS

Society for Electro-Acoustic Music in the United States

  • Conferences
    • 2023 Conference, April 7 – 8, NYC
      • SEAMUS 2023 Conference Schedule
        • Student Awards Recipients 2023
      • Discounted HOTELS with SEAMUS2023 Conf rates
        • Conference 2023 Maps
    • 2023 Conference Rhizome Host Events
      • 2023 Call
    • Past Conferences
    • Future Hosts Interest Form
      • How to Host a Conference
  • Opportunities
    • CREATE grants
    • ASCAP/SEAMUS Student Award
      • FAQ
      • Previous Student Award Recipients
    • Allen Strange Memorial Award
    • SEAMUS Award
  • Works
  • News
  • Newsletter
    • Most recent Newsletter
    • Newsletter Archive
  • Members
    • Election 2023
    • Music from SEAMUS
    • Electroacoustic Miniatures Series Downloads
    • Member Directory
      • Edit Profile
    • Membership FAQs
  • About
    • History
    • Officers and Staff
      • Past Presidents
    • Why Join?
    • Inclusion and Diversity
    • Bylaws

Electroacoustic Repertoire Database

UNDER CONSTRUCTION: We are doing maintenance to the list. We cannot accept new works to the database at this time. The existing repertoire list remains open for search. Thank you for your patience.

NB: if you'd like to search using the name of a particular composer, please visit the Member Directory.
Keyword Search:
Number of Channels:
Type of Electronics:
 
 
Video Component:
 
 
 
  • erase-repeat
    for the experimental duo MOTUHS
    Elliott Lupp
  • For the Fallen
    Electro acoustic piece with versions for different solo instruments + electronics created from the huge peace bell in Rovereto, IT.
    Judith Shatin
  • Loretto Alfresco
    “Loretto Alfresco is endearingly low-tech: its sounds are drawn entirely from recordings of a friend striking pots, pans and other items, which Mr. Fleisher sped up . . . and overlaid to create a rich, tactile texture.” (Allan Kozinn, NY Times, 2010)
    Robert Fleisher
  • Reverie
    for fixed media
    Leah Reid
  • Sk(etch)
    for fixed media
    Leah Reid
  • The Quarantine Collective
    A piece designed to bring people together from all around the world during COVID-19. Uses submissions from Skykey, John R. Akins, Josh Oxford, Francisco Dean, Li-Chuan Chong, and Lannier Sammons.
    Gabriel McDerment
  • The Activist Creed
    A reflection on the evil in the world and everyday, heroic powers that combat it, no matter the adversity or discomfort. Premiered on Earth Day, 2020. Work for Piano and Fixed Electronics.
    Gabriel McDerment
  • Sintadfenix
    Two-channel work for fixed media with video (Audiovisual work)
    Fabio Fabbri
  • Ruah
    Two-channel work for fixed media.
    Fabio Fabbri
  • Monodialogos
    For trumpet and electronics (Trumpet and fixed media)
    Fabio Fabbri
  • Traumatic Language
    for Serge synthesizer
    Ayla Cosnett
  • Ghost-Collecting Ritual
    for Serge synthesizer and computer
    Ayla Cosnett
  • Deep Fryer
    for Serge synthesizer
    Ayla Cosnett
  • Nonlinear Realignment
    for Serge synthesizer
    Ayla Cosnett
  • Sic
    Audio-controlled analog synthesis
    Ayla Cosnett
  • On Purity
    Ambient musique concrète
    Ayla Cosnett
  • The Broadening Of A Mouth
    for Serge synthesizer
    Ayla Cosnett
  • Strawberry Cream Cheese
    for BugBrand synthesizer
    Ayla Cosnett
  • Cells
    for Moog modular synthesizer
    Ayla Cosnett
  • Shrewsbury
    for Moog modular synthesizer
    Ayla Cosnett
  • &fmt=18
    Musique concrète
    Ayla Cosnett
  • E.161
    Musique concrète
    Ayla Cosnett
  • My Cry to the Energy Master
    Musique concrète
    Ayla Cosnett
  • State Property
    Drone study
    Ayla Cosnett
  • Dies Sanguinis
    Jazz-influenced dark ambient
    Ayla Cosnett
  • Measurer of Gods
    Musique concrète
    Ayla Cosnett
  • Pound
    Drone/noise improvisation
    Ayla Cosnett
  • The Big X
    Study of mid-century aesthetics
    Ayla Cosnett
  • Maternal
    Ambient/drone pop instrumental
    Ayla Cosnett
  • The Cave
    Ambient pop instrumental
    Ayla Cosnett
  • A Vocal Ancient
    study for modular synthesizer
    Ayla Cosnett
  • Resonance (Pre-show)
    Improvised Pre-Show Performance
    Carey Campbell
  • Souvenir
    Déconstruction de la Pathétique
    Carey Campbell
  • Stratum
    Time destroys all things, slowly
    Carey Campbell
  • PBD19
    based on Carl Sagan's Pale Blue Dot
    Carey Campbell
  • Aqua•litative
    A kinetic installation that renders multiple data sets of California’s water history into a physical experience.
    Jon Bellona
  • Awash
    depicts the life, color, and environment of the High Desert in the Western United States.
    Jon Bellona
  • #Carbonfeed
    Through composing Twitter feeds and correlating individual tweets with ephemeral traces of gas pumped into tubes of water in public spaces, the work reveals the environmental cost of online behavior and its supportive physical infrastructure.
    Jon Bellona
  • Wildfire
    a 48-foot long speaker array that plays back a wave of fire sounds across its 48-foot span at speeds of actual wildfires.
    Jon Bellona
  • Agnus Dei
    Voice and fixed media
    Breck McGough
  • Lepidoptera
    Text-sound, video, fixed media
    Breck McGough
  • Triptych
    for alto saxophone and fixed media
    Tim Edwards
  • Arcade
    for Oboe and Tape
    Mark Petering
  • Shortcut to the Moon
    for Max/MSP and Narrator featuring Emily Dickinson poetry
    Mark Petering
  • Brux No. 1
    for iPad controlled laptop
    Elliott Lupp
  • Away from Face
    Chamber ensemble with live/fixed electronics
    Elliott Lupp
  • The Noise watches the man meditate.
    Experimental music made using markov chains.
    Suhas Vittal
  • Duo for Solo Cello
    An interactive, performative sound sculpture
    Sarah Ritch
  • Discords
    for 3D audio (binaural mix)
    Michael Smith
  • impulse response [neurosonics 4]
    for tenor saxophone and spatial sound
    Andrew McManus
  • dendrites [neurosonics 3b]
    ...a reserved and subtle meditation on mildly anxious sounds.
    Andrew McManus
  • Voyager
    For ensemble and mobile devices. Also called, “The Grand Tour” based on the NASA Jet Propulsion Laboratory poster, which was named for the Voyager missions. This piece, “Voyager,” uses data from each planet – and their moons – the voyager satellites flew by during their missions. Web audio on mobile phones allows for audience participation by using their own devices, whether a phone, tablet, or even a laptop computer. Each participating audience member is a small grain in the overall musical texture that accompanies the ensemble. To enhance the audience’s ambient texture, 3 percussionists are equally spaced surrounding the entire performance space to encapsulate the sound. The concert experience immerses the listener in complete 360-degree sound.
    Jeremy Muller
  • Orbitals
    For clarinet and mobile phones. Audience members participate in the web audio accompaniment on their mobile devices creating omni-directional sound and an immersive concert experience.
    Jeremy Muller
  • Tempest in a Teakettle
    The title suggests the small problems we consider on a daily basis, waiting as they build within us. ‘Waiting’ is explored in several ways throughout, and uses the medium to augment these daily dramas until we will allow ourselves to view them center-stage.
    Kyle Vanderburg
  • the study bay
    6-channel generative work
    Steve Ashby
  • duet
    32-channel spatialized work
    Steve Ashby
  • Between rail and water
    8-channel spatialized work
    Steve Ashby
  • Annex
    16-channel spatialized work
    Steve Ashby
  • mia-graik-mabta
    for marimba and computer processing
    Brett Masteller
  • bazss_1.2
    fixed media work focused on DSP and multi-channel spatialization
    Brett Masteller
  • bazss_interlude
    fixed media work focused on DSP and multi-channel spatialization
    Brett Masteller
  • Recorded Ruins
    Amplified ensemble plus transducers
    Brian Riordan
  • Feedbacz
    For saxophone and computer processing
    Brett Masteller
  • TrainScape
    fixed media work focused on field recording and DSP
    Brett Masteller
  • Cyncada
    fixed media work focused on digital synthesis
    Brett Masteller
  • bazss_2.0
    for percussion and computer processing
    Brett Masteller
  • Trio of Duets
    fixed media playback
    Brett Masteller
  • unsound
    For percussion and modular feedback network
    Brett Masteller
  • BowMU STUCK MoBue
    For indeterminate percussion instruments and live computer processing
    Brett Masteller
  • Translucents
    Fixed media piece based on the sounds of glass and water
    Caleb Westby
  • [Pop Music]
    Work for fixed media and alto saxophone
    Caleb Westby
  • Phyllotaxis
    for flute and electronics
    Jennifer Merkowitz
  • Les Crapauds de la Fontaine (The Toads from the Fountain)
    for bass clarinet and electronic sound
    Jennifer Merkowitz
  • …grind…
    for 8.1 channel fixed media
    Ryne Siesky
  • skee-Zoh
    for tenor trombone and computer
    Ryne Siesky
  • TRUTH
    Audio/video juxtaposition using Ableton Live
    Jeremy dePrisco
  • Shampoo
    Audio/Visual juxtaposition of 1950s shampoo commercials
    Jeremy dePrisco
  • Auric Blade
    Auric Blade was composed in 2018 using a custom software synthesizer designed in Max MSP. Synth tones were then transduced through a Banjo drum and Tibetan singing bowl while the Banjo D string is excited by a harmonic EBow. This piece is 24 channels and was performed at the San Francisco Tape Music Festival in 2019.
    Kris Force
  • Turning Noise Studies
    Exploration of Turing device in VCV Rack
    Jeremy dePrisco
  • Enigmatic Improvisation for flute and electronics, op. 16 (2019)
    Electroacoustic work based on "Guardians of the Secret" (1943) by Jackson Pollock
    Andres Luz
  • Inertia
    Electronic Dance Music from Gabriel McDerment’s Album #TheExperiment
    Gabriel McDerment
  • Viscid
    Flute and fixed media, made entirely from recordings of the flute
    Matthew Briggs
  • I’m Not Speaking English
    Fixed media piece created from a single spoken sentence
    Matthew Briggs
  • Cut
    feat. samples of K Kirchoff, toy piano
    Lou Bunk
  • Small Talk (A Portrait of Social Skepticism)
    for drum set and electronics
    Matt Ridge
  • Hinge
    for bowed-dulcimer and live electronics
    Elliott Lupp
  • Moel Y Gaer, Bodfari
    In collaboration with the University of Oxford Archeology Department.
    Christopher Lock
  • Utopian Algorithm #1
    In “Utopian Algorithm #1,” a non-cynical algorithm seeks to find the Internet’s lost Utopia by thwarting social media popularity algorithms to reveal the videos nobody gets to see.
    Amy Alexander
  • PIGS (Percussive Image Gestural System)
    PIGS is a software/hardware/percussive instrument designed for liveness in improvised audiovisual performance through the use of silent percussion — i.e. visuals are performed by playing drums.
    Amy Alexander
  • Book epimorpha/ Anamorpha
    Psalm 1
    Benoit Granier
  • Mirage
    Electronic work with a catchy melody and a groovy bass line.
    Santiago Ramones
  • Exit
    A song based on Half-Life
    Santiago Ramones
  • Machinations III – Get It
    Machinations III - Get It is a rap work that tells a story of a dystopian future where androids are subjugated by humanity. A group of androids that don't want to be left out of heaven conspire to go where no android has gone before.
    Santiago Ramones
  • Machinations II – Mind Machine
    Machinations II - Mind Machine is told from the point of view of an artificial intelligence that is first "waking up", becomes conscious, connects to the Internet, and arrives at some conclusions.
    Santiago Ramones
  • Machinations I – Basics
    The start of my "Machinations" series, which combines twelve-tone methods with minimalism methods, as well as electronics. It is meant to emulate computer and machine sounds.
    Santiago Ramones
  • Reparametrization 6
    Work for electro-acoustic manipulation and Bass Clarinet
    Ryan Ingebritsen
  • Weighed Down by Light
    composition for contrabass clarinet and electroacoustic fixed media (using a live in-ear click track)
    Tom Williams
  • Headpin Talkie
    Field recordings from 100 locations in and around Chicago derived from John Cage's "A Dip in the Lake" are the basis of this open work for live or fixed media
    Fredrick Gifford
  • 1830
    An open work for 5 players who use cards with listening cues to create an interactive live performance
    Fredrick Gifford
  • Musical Sculpture
    Musical Sculpture [after Duchamp] is for 8 to [infinity] electric guitars or for 1 electronic guitar and 8-channel electronics
    Fredrick Gifford
  • Shadow Play (Mobile 2016)
    In this open work for bass flute and electronics, the performer creates a unique pathway through a labyrinth of "shadows" – recordings of themself
    Fredrick Gifford
  • Graft Blossom
    Part of respirateur, Graft Blossom, for clavichord and electronics, is an open work in which the performer creates a form for each performance
    Fredrick Gifford
  • Prufrock/Alienation
    quad-channel fixed media
    Matt Ridge
  • Spring’s Second Hand
    violin and fixed media
    Matt Ridge
  • Bedimming
    Dance in Two Movements
    Breck McGough
  • The Daydreamer Meditates
    A programmatic statement on the composer's own inability to focus during guided meditation
    Breck McGough
  • Urban Sky Glow
    for marimba and fixed media
    Jonah Elrod
  • Fissures
    Fixed electronics
    Sugar Vendil
  • Test Site 3: Blood
    For Prepared Piano and Electronics
    Sugar Vendil
  • There Was Yet No Heaven
    There Was Yet No Heaven
    Vahid Jahandari
  • A Chamber of Mouthpieces
    for 2-channel fixed media
    Jonathan Wilson
  • A Driving Figure
    a dance film
    Jonathan Wilson
  • Ecesis
    for 2-channel fixed media
    Jonathan Wilson
  • Chimerique
    for laptop orchestra and narrator
    Jonathan Wilson
  • Prelude to Paper Dance
    for 8-channel fixed media
    Jonathan Wilson
  • In Meditative Resonances
    for 2-channel fixed media
    Jonathan Wilson
  • Wolf by the Ear
    for 2-channel fixed media
    Jonathan Wilson
  • Ghosts Before Breakfast
    for chamber ensemble and electronics
    Jonathan Wilson
  • A Chinese Triptych
    A soundscape made with recordings of the Chinese cities of Hangzhou, Suzhou, Shanghai, Wuxi, Harbin and Beijing.
    Juan Carlos Vasquez
  • Bestiario
    This is an electroacoustic piece crafted with synthetic materials as the main source of sound.
    Fernando Laub
  • Palm Tree Escape
    Palm Tree Escape is a work in progress relating to the semiotic relationship with escape or paradise with the palm tree image.
    Brad Moody
  • “The Multitudes”
    Ranging over vast, unexplored territories, my new album features richly contrapuntal electroacoustic textures, electro-pop, field recordings, and atmospheric sound design.
    Chad Langford
  • Art Market
    fixed media
    Ferdinando DeSena
  • Requiem for the Living
    Mixed Chorus and fixed media
    Ferdinando DeSena
  • only through fractures may light shine
    Double Bass and Live 2-Channel Electronics
    Christopher Poovey
  • Dripstone
    Baritone Saxophone and 2-Channel Fixed Media
    Christopher Poovey
  • TREMENDOUS!!
    for bass clarinet, marimba, and electronics
    Brian Sears
  • The Wonders for guitar and fixed media 2017
    “The Wonders” is one composition belonging to a larger international collaborative work entitled La Tempesta (2016). Inspired from the original Shakespeare work, “The Wonders” contemplates the importance of man’s relationship to nature; the oceans, and all life therein. It is hoped that “The Wonders” aesthetically persuades us to contemplate and consider our stewardship for the ecological survival of our oceans. From our thoughts come actions. Linda Marcel
    Linda Marcel
  • Service, Please!
    A tape piece featuring the intricacies of a service bell.
    Zachary Daniels
  • Dart
    Composition for cello and max/msp
    Tom Williams
  • Can
    acousmatic composition - electroacoustic music
    Tom Williams
  • IRIVISKIA
    VIOLIN-HORN DUO WITH COMPUTER-REALIZED SURROUND SOUND
    Ewa Trebacz
  • Flown
    for voice and electronics
    Stephen Hennessey
  • Ethical Void
    Three dark experimental sound pieces. Explores sound with abstract sound textures. Each piece is part of the process preparing for a live performance. All sounds were created in the box.
    Brad Moody
  • what i am not
    version for fixed media
    Heather Stebbins
  • Exhale – a sound object
    The sonic bed "Exhale" was featured at Roosevelt University Electroacoustic Festival (April, 2017)..
    Beth Bradfish
  • On a Raising Value of Ice (from “A.M.A. (Ask Me Anything)”)
    Clarinet at the centre of an eclectic EDM fusion album
    Stefan Kristinkov
  • Incipit (from “A.M.A. (Ask Me Anything)”)
    Clarinet at the centre of an eclectic EDM fusion album.
    Stefan Kristinkov
  • The Blind Owl
    The Blind Owl
    Vahid Jahandari
  • The Vulture
    The Vulture
    Vahid Jahandari
  • The Succubus: an electronic tone poem
    A seven minute work for fixed medium. It's gotten a lot of play over the years. Enjoy!
    Lance Hulme
  • The Mirror
    Forget The Wall, We need a Mirror!
    José Martínez
  • winnowing
    Winnowing is a work for pianoa and electronics inspired by the movement of birds. The electronics part brings another layer to the piece by introducing synthetic piano sounds that follow their own laws of nature. In the culmination of the piece the acousmatic birds appear.
    Maija Hynninen
  • Fanfare for the Velasca Tower
    The astounding view of Velasca Tower as a sort of score.
    Francesco Bossi
  • Modus Operandi
    ... there is a proper measure in doing things...
    Francesco Bossi
  • Time
    Tick-tock
    Leah Pesenson
  • Modus
    a mode of procedure :a way of doing something
    Francesco Bossi
  • Shaula: The Sting of Scorpius
    I was inspired to write this piece after attending a Colorado Symphony Orchestra performance of only Claude Debussy works. In that spirit, the piece uses only the notes and harmonies found in the whole-tone scales, starting in E whole-tone and ending in D-flat whole –tone.
    Alex Buehler
  • Highway jalopy
    the sounds are meant to evoke a car slowly breaking down and eventually ending up on the side of a desert highway, eventually abandoned by the owner.
    Alex Buehler
  • Ethereal Remission
    imitate natural and animalistic noises. The fixed media includes sounds of whale calls, elk mating calls, and nightingale songs. There are three (3) parts of the piece, the first and third are imitations of the whale song and elk calls but the second part is set to contrast the other sections with percussive trombone techniques.
    Alex Buehler
  • Cardiac Cycle
    written with two concepts in mind; the physical blood flow through a body and the concept of computer cycles. Embedded throughout the piece is an ever accelerating heartbeat, creating a sense of increasing panic and stress. This is coupled with the calm and repetitive sounds heard in the electronics and live processing.
    Alex Buehler
  • Chordochromies
    for harpsichord and computer-realized sound
    Ewa Trebacz
  • ANC’L’SUNR
    Spatial Soundscape with Orchestra in the Foreground
    Ewa Trebacz
  • Ligeia
    for invisible soprano, ensemble and surround sound
    Ewa Trebacz
  • things lost things invisible
    for Ambisonic space and orchestra
    Ewa Trebacz
  • Spinning Zone
    for percussion trio and computer-realized sound
    Ewa Trebacz
  • EMANATIONS
    NoiseFold (Cory Metcalf & David Stout) perform EMANATIONS with cellist, Frances Marie Uitti at the CURRENTS International New Media Festival. This clip excerpts 4 movements from a longer work presented at El Museo Cultural in Santa Fe, NM in the summer of 2012.
    David Stout
  • MINOTAUR
    for horn and surround sound
    Ewa Trebacz
  • Riverrun
    for Violoncello and Electronics
    Brian Topp
  • Maelstrom
    for Multi-percussion and Electronics
    Brian Topp
  • Huayra-tata
    for Clarinet and Electronics
    Brian Topp
  • Ljós
    for Soprano Saxophone and Electronics
    Brian Topp
  • Beneath the Mountains
    for Piano and Electronics
    Brian Topp
  • Insomnia
    for Flute, Tape and MaxMSP
    Brian Topp
  • One Minute On The Surface Of The Sun
    A Sonification Of Gamma Rays and Sine Waves
    Erich Barganier
  • Fading Out
    Algorithmic Lullaby
    Erich Barganier
  • Protect Your Domain Name
    Michael Daugherty - video; Ava Leavell Haymon - text
    Stephen David Beck
  • Funnel Cloud
    Michael Daugherty - video
    Stephen David Beck
  • inChuck
    for laptop orchestra
    Stephen David Beck
  • Vale Vêneto Remix
    for fixed media
    Stephen David Beck
  • Quartet for Strings
    Composition for haptic devices and virtual instruments
    Stephen David Beck
  • The Tunnel of Quantum Love
    for fixed electronics
    Hanna Lisa Stefansson
  • Star Map
    for flute and fixed electronics
    Hanna Lisa Stefansson
  • Ritual Habit
    An electroacoustic music composition and dance collaboration
    Hanna Lisa Stefansson
  • Petit Hommage a Rene Magritte for fixed media (2017)
    A short fixed media work inspired by a surrealist painting by Rene Magritte
    Andres Luz
  • 青い空 (the Sky is blue)
    Electronic work mixed with field recordings
    Niels Mestre
  • Turtles All The Way Up
    for five performers
    Brian Riordan
  • “while the earth is still turning”
    For piano and electronics
    Brian Riordan
  • Sound of the Baskervilles
    A fixed media sound collage, whose title was granted permission by Milton Babbitt.
    Mark Eden
  • Arched Interiors II
    for bowed piano and electroacoustic sound
    Christopher Hopkins
  • The Mirror of Enigma
    for flute, bass clarinet, harp, marimba and electroacoustic sound
    Christopher Hopkins
  • Touché
    for two clarinets and electroacoustic sound
    Christopher Hopkins
  • The Animus Winds
    for flute and electroacoustic sound
    Christopher Hopkins
  • Sediment
    for 3 bass drums and electronics
    Aaron Hynds
  • terminal loop
    for Chinese flute and live electronics
    Aaron Hynds
  • Separate Realities
    Inspired by the spiritual visions of five individuals
    James Budinich
  • Premonitions, Landscape at Twilight for electronic fixed media (2017)
    Fixed media work based upon a painting by Salvador Dali, Spider of the Evening (1940).
    Andres Luz
  • El Perdido for baritone voice, fixed media, and live electronics (2017)
    Art song for voice and electronics in Spanish
    Andres Luz
  • Ausgang
    for guitar and live electronics
    Stephen Hennessey
  • Sorrows Weep Not
    for Oboe, Guitar, and Live Electronics
    Stephen Hennessey
  • And everything in-between
    Commissioned and dedicated to Krisztina Dér, "And everything in-between" explores different harmonic and rhythmic material through pop-culture musical idioms.
    Jacob Thiede
  • pathways, bursting [neurosonics 2]
    A string quartet amidst an ambisonic sea of sonified rat neurons.
    Andrew McManus
  • Noopiming
    A cappella choral work constructed in the computer from fragments.
    Mike Olson
  • De Novo
    Percussion with electronics.
    Mike Olson
  • Lizamander
    for Flute and Computer
    Russell Pinkston
  • TaleSpin
    for Yamaha Disklavier and Electronic Sounds
    Russell Pinkston
  • Don’t Look Now
    for String Quartet and Electronic Sounds
    Russell Pinkston
  • Breathing Voltages
    Hardware-based analog modular synthesizer music.
    Mike Olson
  • Implied Movement
    At times minimalist and pattern driven. At times warm and buzzy. Hardware-based electronic music.
    Mike Olson
  • North Loop
    Live/studio hybrid composition using hardware-based electronic instruments.
    Mike Olson
  • Chamber of Mechanisms
    Experimental electronic drone piece created from material generated on an ARP 2500 modular synthesizer.
    Mike Olson
  • Murmurations of the Krell
    Experimental hardware-based live performance electronic drone piece.
    Mike Olson
  • Rotational Asymmetries
    Electronic work for two vintage instruments. Slowly evolving. Warm. Buzzy. Minimal.
    Mike Olson
  • mesospherics
    red sprites, blue jets, noctilucent clouds, whistling air, diffuse, faraway haze
    Andrew McManus
  • adagio for piano and soundplane
    soundplane
    bill pfaff
  • Effusion
    micro-collage, polystylism, rock, electronica
    Scott Barton
  • and drift
    ensemble and electronics
    Heather Stebbins
  • minim
    four channel fixed media
    Heather Stebbins
  • LOAM
    viola and live electronics
    Heather Stebbins
  • No Entry After Dark
    No Entry After Dark
    Matthew
  • Green Shake
    A composition used Electronic music, Visual element and Interactive between performers and audience
    Rui Zong
  • Neurosonics I
    ambisonic spatialization of sounds from firing neurons
    Andrew McManus
  • Reveal
    Deconstructing an instrument is a revelation, because it unsettles the myth, causing a change in the listeners’ perception. The guitar is the source for all the sounds presented in this piece, which emphasizes the ones that have been hidden by the instrument’s technique and repertory, or unnoticed due to their low volume.
    Diogo Carvalho
  • Tacna Three
    6-MINUTE PIECE FOR VIOLA, LIVE ELECTRONICS, AND GLOVE CONTROLLER
    Seth Thorn
  • Verdacht
    12-minute piece for viola, live electronics, and glove controller
    Seth Thorn
  • Séquence et Vitesse
    Interactive audio and visuals
    Benjamin
  • excision no. 1
    for solo percussion and live electronics
    Tina Tallon
  • Random Access
    For Alto Saxophone and Live Electronics
    John Mayrose
  • Unstrung
    Acousmatic Work
    Corey Cunningham
  • A Natural Perspective
    Dance Collaboration
    Corey Cunningham
  • Bind Up My Wounds
    Acousmatic Work
    Corey Cunningham
  • Take a Place in the Light
    Acousmatic Work
    Corey Cunningham
  • Shadows
    Recorded from a Yamaha DSR-2000 and a Roland HS-60.
    Thomas Brosh
  • The Hostage
    Musical, scored for live Yamaha DSR-2000 synthesizer.
    Thomas Brosh
  • Star Chant
    Recorded from a Casio 1000-P synthesizer.
    Thomas Brosh
  • Class Notes
    Recorded from a Casio 1000-P synthesizer.
    Thomas Brosh
  • Aeolian Suite: To H.R.G.
    Recorded from a Roland SH-101 synthesizer. Work is in 6 movements.
    Thomas Brosh
  • Innerchange III: To T.E.N.
    Recorded from a Casio 1000-P synthesizer.
    Thomas Brosh
  • Innerchange II: To D.G.
    In 4 movements.
    Thomas Brosh
  • Series One: Variations – To T.T.L.
    Recorded from a Casio 1000-P synthesizer, the work is in 3 movements.
    Thomas Brosh
  • Music for Six Instruments and Prepared Tape
    7 distinct taped segments, recorded from an EMS "Putney" VCS 3 synthesizer.
    Thomas Brosh
  • Dreams Unwind
    for Piano and Live, Interactive Electronics
    Brian Sears
  • STRING 1
    a year's worth of recordings of electroacoustic music using sounds from everywhere.
    John Wiggins
  • Celluloid Veil
    for microtonally adapted keyboard
    Alexander
  • You can’t have it both ways (I don’t believe)
    for Solo Oboe and Interactive Electronics
    Alexander
  • Zoetrope
    Dartmouth Digital Synthesizer
    Jon Appleton
  • Yuri Does America
    Source material from Russian music, internet, and voice of Yuri Spitsyn and the composer.
    Jon Appleton
  • Yamanotesen to Ko
    Source material recorded in Tokyo, Japan
    Jon Appleton
  • Wintersun
    Fixed Media Piece
    Jon Appleton
  • Variations on a theme by Rachmaninoff
    Source material from the Rachmaninov 'Etude Tableau'.
    Jon Appleton
  • Untitled
    Synclavier piece
    Jon Appleton
  • Times Square Times Ten
    Source material collected in New York City.
    Jon Appleton
  • The visitation
    Fixed Media Piece
    Jon Appleton
  • The sweet dreams of Miss Pamela Beach
    for Synclavier and Fixed Media
    Jon Appleton
  • The Tale of William Mariner
    Companion piece to The Snow Queen
    Jon Appleton
  • The Sydsing Camklang
    Composed using the Dartmouth Digital Synthesizer.
    Jon Appleton
  • The Snow Queen
    Based on the Hans Christian Andersen story with music for Synclavier and narration by the composer.
    Jon Appleton
  • The Lament of Kamuela
    A full length musical/dramatic work with an original lyrics and libretto by the composer.
    Jon Appleton
  • The Bremen Town Musicians
    Concerto for Piano and Twelve Toy Instruments with Narrator.
    Jon Appleton
  • Syntrophia
    Composed using the Dartmouth Digital Synthesizer.
    Jon Appleton
  • Synaeresis
    Text and narration by Philip Johnson.
    Jon Appleton
  • Subject to Fits – Opera
    Incidental Music
    Jon Appleton
  • Subject to Fits – Natasha’s Song
    Incidental Music
    Jon Appleton
  • Subject to Fits – Myshkin and Chorus (without voice)
    Incidental Music
    Jon Appleton
  • Subject to Fits – Myshkin and Chorus (with voice)
    Incidental Music
    Jon Appleton
  • Subject to Fits – Myshkin (without voice)
    Incidental Music
    Jon Appleton
  • Subject to Fits – Aglaya
    Incidental Music
    Jon Appleton
  • Study No. 3
    Piano sounds.
    Jon Appleton
  • Study No. 2 (Concrete)
    Piano sounds.
    Jon Appleton
  • Study No. 2
    Fixed Media Piece
    Jon Appleton
  • Study No. 1
    The composer's first electro-acoustic work
    Jon Appleton
  • Stereopticon
    Composed using the Synthi 100 synthesizer.
    Jon Appleton
  • Spuyten Duyvil
    Fixed Media Piece
    Jon Appleton
  • Sones de san Blas
    Source material collected in Mexico with the voice of Marysa Navarro.
    Jon Appleton
  • Sonaria for Synclavier Alone
    for Synclavier
    Jon Appleton
  • Sheremetyevo Airport Rock
    Material from Moscow's Sheremetyevo Airport and from interviews
    Jon Appleton
  • Sashasonjon
    In memory of the the composer's step-father Alexander 'Sasha' Walden.
    Jon Appleton
  • Quiff
    Fixed Media Piece
    Jon Appleton
  • Quiet Piece
    An adaptation of Burdock Birds.
    Jon Appleton
  • Primary experience C
    Tape music techniques using children's voices
    Jon Appleton
  • Primary experience B
    Tape music techniques using children's voices
    Jon Appleton
  • Primary experience A
    Tape music techniques using children's voices
    Jon Appleton
  • Prelude
    for Synclavier
    Jon Appleton
  • Pilobolus
    Score for a dance by Pilobolus
    Jon Appleton
  • Pacific Rimbombo
    For a computer music instrument invented by Max V. Mathews.
    Jon Appleton
  • ‘Otahiti
    A political piece in protest against French nuclear testing in the Pacific.
    Jon Appleton
  • Oskuldens Dröm
    The Dreams of the Virgins
    Jon Appleton
  • Nyckelharpen Variations
    Source material from Norwegian 'keyed fiddle' called the Nyckelharpa.
    Jon Appleton
  • Nukuoro
    Fixed Media Piece
    Jon Appleton
  • Nevsehir
    Source material collected in Turkey.
    Jon Appleton
  • Narita Airport Rock
    Source material recorded in Tokyo, Japan.
    Jon Appleton
  • Mussems Sång
    Material from EMS synthesizer in Stockholm, Sweden and artificial voice created on Johann Sundberg's voice synthesizer called 'Musse'
    Jon Appleton
  • Music for Ciona
    Fixed Media Piece
    Jon Appleton
  • Marco Polo Revisited
    Fixed Media Piece
    Jon Appleton
  • Little Red Riding Hood (Rodluvan)
    Source material from Buchla synthesizer and the voice of Axel Bodin.
    Jon Appleton
  • Kungsgatan 8
    The first computer music composition produced at Elektronmusikstudion Stockholm
    Jon Appleton
  • Kapingamarangi
    for Synclavier
    Jon Appleton
  • Kamuela
    (Return to Waimea)
    Jon Appleton
  • JJ Pop
    material from songs of the composer's son JJ Appleton
    Jon Appleton
  • Infantasy
    Tape music techniques using infant voices
    Jon Appleton
  • In Deserto
    Material from the Dartmouth Digital Synthesizer.
    Jon Appleton
  • Human Music 6
    in collaboration with Don Cherry
    Jon Appleton
  • Human Music 5
    in collaboration with Don Cherry
    Jon Appleton
  • Human Music 4
    in collaboration with Don Cherry
    Jon Appleton
  • Human Music 3
    in collaboration with Don Cherry
    Jon Appleton
  • Human Music 2
    in collaboration with Don Cherry
    Jon Appleton
  • Human Music 1
    in collaboration with Don Cherry
    Jon Appleton
  • Hommage to G.R.M.
    The composer's only work using exclusively sounds from a Moog III synthesizer.
    Jon Appleton
  • Homenage a Milanes
    Sources recorded in Havana, Cuba
    Jon Appleton
  • Hay Fever
    Fixed Media Piece
    Jon Appleton
  • Gujari Todi
    Fixed Media Piece
    Jon Appleton
  • Ghost Sonata
    Incidental music to the play of the same name.
    Jon Appleton
  • Georgannas farewell
    for tape and early digital sound sources.
    Jon Appleton
  • Georganna’s fancy
    Fixed Media Piece
    Jon Appleton
  • Filhos da Nana
    The first of several songs for children in Brazilian orphanages
    Jon Appleton
  • Eros Ex Machina
    Fixed Media piece
    Jon Appleton
  • Duobatoni
    Fixed Media piece
    Jon Appleton
  • Duo for Oscar
    For one performer who plays alternately and together on both keyboard instruments.
    Jon Appleton
  • Dr. Quisling in Stockholm
    A political piece in protest of the conditions for composers working at Elektronimusikstudion Stockholm
    Jon Appleton
  • Double Structure
    (with Christian Wolff)
    Jon Appleton
  • Degitaru Ongaku
    for Synclavier - digital instrument available
    Jon Appleton
  • Correspondences amoreuse des Isle Marquises
    Source material: recordings made in Nuku Hiva in the Marqueses Islands.
    Jon Appleton
  • Columbia etude no. 1
    Tape spliced exercise
    Jon Appleton
  • Chef’s d’oeuvre
    Fixed Media piece
    Jon Appleton
  • Ce que signifie la declaration des droits de lhomme et du citoyen
    Voice: Colette Gaudin
    Jon Appleton
  • C.C.C.P.: In Memoriam Anatoly Kuznetsov
    Source material from old Russian recordings and BBC interviews.
    Jon Appleton
  • Burdock birds
    Musique concrete using synthezied and real birds sounds for outdoor performance
    Jon Appleton
  • Brush Canyon
    Synclavier and sampled sounds
    Jon Appleton
  • Boum sha boom
    Source material 1950s American pop music with voices of Colette Gaudin and the composer.
    Jon Appleton
  • Bombay
    for Synclavier - digital instrument available
    Jon Appleton
  • Boghosian’s piece
    A.K.A. 'Hommage to Orpheus'
    Jon Appleton
  • Apolliana
    Source material from Moog synthesizer, voices of moon landing, toy astronauts and Richard Nixon.
    Jon Appleton
  • A Swedish Love Song for Voice and Synclavier
    for Voice and Synclavier
    Jon Appleton
  • A Few Thoughts for the Day
    Collaboration with Tom Scott and Bob Thiele for LP 'Bob Thiele Emergency'
    Jon Appleton
  • ‘Ofa atu Tonga
    Work using real and fabricated source material from the Kingdom of Tonga.
    Jon Appleton
  • Sonaria for Choir and Synclavier
    for Choir and Synclavier - digital synclavier now available - see link below
    Jon Appleton
  • Scene Unobserved
    A black and white film by Jon Appleton, Wayne Wadhams, Pierre Payne, John Mellquist (poetry) made to the music.
    Jon Appleton
  • N’air sur le lit
    in collaboration with Paul Botelho
    Jon Appleton
  • Die Herrlichkeit Loch in den Bundling Bord
    in collaboration with Paul Botelho
    Jon Appleton
  • House
    Audio Visual
    Mya Payne
  • After the Storms
    for fixed media with optional video
    Elliott Grabill
  • Pranayama
    for fixed media with optional video
    Elliott Grabill
  • Un Jardin
    for fixed media with optional video
    Elliott Grabill
  • Alarm
    for flute and live electronics
    Elliott Grabill
  • Planet Heart
    for clarinet and live electronics
    Elliott Grabill
  • Darl
    for clarinet and live electronics
    Elliott Grabill
  • SHADOW
    FOR VIDEO AND ELECTRONIC
    Shijie W ang
  • The Oscillation
    for electric guitar and live electronic
    Shijie W ang
  • Selected Scores
    Selected Scores
    Jeff Kaiser
  • The streaming location of my catalog
    The streaming location of my catalog
    Jeff Kaiser
  • Kitchen Dance
    for improvisers and electronics
    Christine Hedden
  • Prayer Flags
    for solo viola and electronics
    Christine Hedden
  • Bonneville Park
    Baseball, high altitude, and the harmonic series.
    Devin Maxwell
  • Lösgöra
    Acousmatic work
    Jon Fielder
  • Obscuridad
    Acousmatic work
    Jon Fielder
  • Amphora
    Acousmatic work
    Jon Fielder
  • Wind Chimes Clatter through the Mist and Fog
    Acousmatic work
    Jon Fielder
  • This, I Cannot Escape
    Acousmatic work
    Jon Fielder
  • Cross-threaded
    Acousmatic work
    Jon Fielder
  • The Mind is its Own Beautiful Prisoner
    Wind quintet and fixed electronics
    Jon Fielder
  • Dissociation Sequences (C23H28O8)
    Brutal cello and electronics piece
    Jon Fielder
  • Bellowing Thunder, Crimson Sky
    Saxophone and Drum Set
    Jon Fielder
  • Vous l’Inaccessible
    Re-imagining of Machaut's "Douce Dame Jolie"
    Jon Fielder
  • Fractured Memories
    Oboe and live electronics
    Jon Fielder
  • Bowing to the Roaring Storm, Their Songs Never Cease
    Improvisatory mobile-form soundscape
    Jon Fielder
  • “Real-Time Processing Improv”
    real-time signal processing of improvisers
    Brian Riordan
  • Antagonism Constellation Factory
    Stereo fixed media; found and synthesized sounds
    Nicolas Chuaqui
  • Desert Presence
    For guitar and electronics
    Nicolas Chuaqui
  • Break Free
    For violin duo and electronics
    Nicolas Chuaqui
  • Ghosts of Cluny
    fixed media
    Timothy Roy
  • Wunderkind
    toy piano and fixed electronics
    Timothy Roy
  • Behind the Back
    Work for pipa (traditional Chinese lute) and electronics (triggered fixed media and some live processing). Commissioned by The Little Giant Chinese Chamber Orchestra for Su Yun-Han.
    Timothy Roy
  • Surveillance State for soprano, alto saxophone, fixed media, and live electronics (2015)
    A 19-minute work in three movements examining the impact of the National Security Agency's (NSA) massive surveillance programs on the condition of Americans' Fourth Amendment right to privacy.
    Andres Luz
  • Driftwood Box Puzzle
    Structured improvisatory musical figures with strictly notated sections create contrasting textures juxtaposed with one another.
    Philip Schuessler
  • Monochrome Variations
    Spectral work that uses color notation to indicate gradual shifts in timbre
    Philip Schuessler
  • Piano Roll
    Vidéomusique
    Benjamin
  • Hallelujah
    for vibraphone and mono speaker
    Joo Won Park
  • Armor+2
    a piece inspired by classic synthesis techniques and RPG games
    Joo Won Park
  • Coelacanth
    For Bass Trombone, Amplified Octet, and Responsive Electroacoustic Environment
    Daniel
  • Bought and Sold
    Exploration of how context affects the listener's reception of music through contextual manipulation of a famous musical example.
    Garrett Hecker
  • Spring Tides
    Spring Tides, scored for amplified Pierrot Ensemble (fl, cl, vln, vc, pno) was called '...a rich and evocation of the power of nature..." by the New York Times
    Judith Shatin
  • Cherry Blossom and a Wrapped Thing; After Hokusai
    Inspired by a subtle print by Hokusai, this piece was commissioned by F. Gerard Errante, for his CD 'Delicate Balance.'
    Judith Shatin
  • Penelope’s Song
    Penelope's Song, inspired by the Odyssey, dramatically combines electronics fashioned from recordings of wood looms with the agile power of the flute.
    Judith Shatin
  • Intersections
    for human and robotic musical ensemble
    Scott Barton
  • tin birds
    generative four-channel audio installation
    Warren Enström
  • Storyland
    A Creepy trip to the Zoo
    John Oparyk
  • Anaīs Nin Blushed
    Organic sounds trigger synthesis
    John Oparyk
  • The Bringer of Life
    Performance Notes: The Bringer of Life is a programmatic composition representing the Panspermia Theory with musical elements. The sharp rhythms, dense textures, and freely chromatic harmonies are orchestrated in a manner that, in my mind, programmatically represents celestial bodies impacting our planet in it’s beginning stages billions of years past. This work should be performed aggressively, in strict time (no rubato), and with no breaks (rit) in between ‘sections.’ It might be helpful to imagine comets striking our planet’s surface when internalizing The Bringer of Life.
    chad Powers
  • A BLADE WITHIN
    I find myself sometimes lost and unsure within the compositional process. Whether the work is an acoustic, electronic, or a combination of both, I often find the struggle is the same. A Blade Within is a fix media 2 channel stereo work that found it's conception within the struggle of the composer's processes. I try to express these subjective operandi by means of raw, as well as manipulated sound sources. The final gesture of the work accentuates the nucleus of the main idea.
    chad Powers
  • Sylvian’s Wood
    Originally released on the 2000 compilation Owasso Night Atlas, Sylvian's Wood (1996-98) convolves the voices and music of many 1980s pop singers.
    Christopher DeLaurenti
  • Live at the Third Practice Festival – November 2, 2013
    Held at the University of Richmond in Virginia, Third Practice is an annual festival devoted to adventurous acoustic and electronic music. See www.thirdpractice.org for details. Live and unedited with no post-performance processing or overdubs: I improvised a short set in AudioMulch layering, mixing, and processing acoustic and electromagnetic field recordings.
    Christopher DeLaurenti
  • Deckle
    Stridulating, dub-like glitch with tilting planes of reverb and echo. Deckle was created as a pocket remix for Wyndel Hunt's album Sunshine Noir released in 2010 by Dragon's Eye Recordings.
    Christopher DeLaurenti
  • Below the written pitches of Brian Ferneyhough’s Superscriptio for solo piccolo
    Another installment in my found soundscape series; Below the written pitches spectrally extracts sound beneath the written pitches of Brian Ferneyhough's Superscriptio for solo piccolo to reveal recording anomalies, latent undertones, and mechanical noises.
    Christopher DeLaurenti
  • Eroding Mountains
    song-based electronic experimentalism via audio production, microtonality, narration, discontinuity
    Scott Barton
  • Opus Palladianum: Voice and Drums
    beat-based rhythmic complexity; integration of stylistically diverse materials; discontinuity
    Scott Barton
  • Oberlin Audition Dance Video
    Spacious Electronics to reinforce the choreography of William Forsythe
    Matthew Perez
  • Drop Dead (Long Top)
    Juxtaposition between Modern Dance Music and Baroque music
    Matthew Perez
  • Everyday Occurrences
    Analog Electronics focusing on distorted timbres
    Matthew Perez
  • Shadows of the Electric Moon
    This is essentially a solo snare piece, though a few other ancillary instruments are called for. An audio exciter, controlled by an onstage laptop, directly vibrates the head of the drum.
    Per Bloland
  • Solis Overture
    This is an overture to my opera Pedr Solis, though the instrumentation is quite different.
    Per Bloland
  • Solis-EA
    The percussion is accompanied by a virtual 8-string instrument with LOTS of feedback and distortion.
    Per Bloland
  • Wood Machine Music
    This piece is an exercise in distortion and overpressure. The string quartet is processed, while the clarinet and percussion are merely amplified.
    Per Bloland
  • Of Dust and Sand
    This piece uses the Electromagnetically-Prepared Piano, a device co-created by the composer. The electromagnets vibrate the piano strings while the performer attempts to manually dampen them. Releasing that damping results in a note.
    Per Bloland
  • Monument III: Charleston, Summer of 2015
    Two movements for wind ensemble and live electronics, dedicated as a tribute and memorial to the nine men and women murdered in an act of racist terrorism while at prayer in Emanuel African Methodist Episcopal Church in Charleston, South Carolina in June 2015.
    Scott Blasco
  • Pentecost
    Eight-channel fixed media meditation on the liturgical feast of Pentecost.
    Scott Blasco
  • Four Songs from The Caucasian Chalk Circle
    Song cycle for mezzo-soprano and fixed media, setting texts from the play by Bertolt Brecht.
    Scott Blasco
  • Queen of Heaven
    Five movements for piano and electronics presenting five meditations on the Virgin Mary. Written for pianist Kari Johnson.
    Scott Blasco
  • Patriot Missile
    This is a five movement workreflects abstractly on concepts and events described in journalist Robert Fisk’s book “The Great War for Civilisation: The Conquest of the Middle East.”
    Christopher Biggs
  • Recombinant Serenade
    This work is based on Serenade by Benjamin Britten and was for Lin Foulk.
    Christopher Biggs
  • Object Metamorphosis
    This work is based on a minimalist artwork by Jorge Almodovar. The piece is influenced by spectralism.
    Christopher Biggs
  • Object Metamorphosis II
    This is an abstract piece of music influenced by spectralism
    Christopher Biggs
  • Externalities
    This work reflects on the impacts of production and purchasing not taken into account in the costs of goods.
    Christopher Biggs
  • Amass
    This work is about the moments when people come together to resist power.
    Christopher Biggs
  • Greed
    Greed models itself on processes of accumulation.
    Christopher Biggs
  • Biodiversity
    This work reflects on human impacts on biodiversity.
    Christopher Biggs
  • Decoherence
    This is a work for trumpet and live audiovisual media based on an idea in quantum physics.
    Christopher Biggs
  • Contraposition
    This is a work for piano modeled on a Baroque keyboard suite. There are five movements, any of which can be performed in any order.
    Christopher Biggs
  • Convexed Origins
    for moving flutist and pre-recorded electronic part
    Jane Rigler
  • Traces/Huellas
    flute and live electronics
    Jane Rigler
  • the calling
    flute and live electronics
    Jane Rigler
  • Heterogeneous
    This piece is an expression of the duality of human beings, torn between desire and solitude.
    Joungmin Lee
  • Weav-Weav-Weaving for harp and interactive electronics
    Three movement work for harp, electronics, and motion sensor inspired by the poetry of Edna St. Vincent Millay
    Jennifer Ellis
  • Stairway Fragments
    Chamber Ensemble and Fixed Media
    Brian Sears
  • GATES
    Eight channel acousmatic composition awarded First Prize in the 2014 ASCAP/SEAMUS Student Commission Competition.
    John Nichols III
  • Big Gizmo
    computer-assisted composition and computer-generated sounds (additive synthesis) produced with DISSCO
    Sever Tipei
  • Alphabet for solo percussion and fixed electronics
    Alphabet for solo percussion and fixed electronics is a flexible multi-movement work for a single percussion instrument and fixed electronics comprised of that instrument. Each short movement is based on a letter of the alphabet.
    Janis Mercer
  • Heliacal Rising
    An interactive acoustic piece for pianist, Disklavier, and Max
    Edwin Kenzo Huet
  • Prism
    An interactive acoustic piece for pianist, Disklavier, and Max
    Edwin Kenzo Huet
  • Meridian
    Cataclysmic textural narrative
    Edwin Kenzo Huet
  • Edgeplay
    Guided improvisation with spectral processing
    Stephen Lilly
  • Erin
    Chords voiced as beating sine tones.
    Stephen Lilly
  • Composition for S#|††¥ Piano, Drum Samples, Concrète Sounds, and Processing
    for crappy piano and live electronics (via MAX/MSP)
    Christopher Chris Bailey
  • Breathing 2: Re/Inspiration
    fixed audio piece using recordings of breath sounds, toys and whistles
    Michael Pounds
  • Cry Out
    for trumpet and fixed audio
    Michael Pounds
  • Cumulative Deviance
    For mobile device orchestra
    Ryan Carter
  • Memory Failure
    A short fixed media work
    Ryan Carter
  • iMonkeypants
    An album of five algorithmically generated compositions in the form of an iOS app
    Ryan Carter
  • Latency in the System
    A 5-track set of algorithmically generated electronica
    Ryan Carter
  • Trying to Connect
    For laptop orchestra
    Ryan Carter
  • I Fioretti in Musica
    An opera for voices, live processing, fixed media, actors, dancers, puppeteers, video projection, and a stray cat
    Ryan Carter
  • 20 (or so) Variations
    For trio and fixed media
    Ryan Carter
  • From this point on
    For saxophone duo and fixed media
    Ryan Carter
  • Four or Four Plus One
    For string quartet and fixed media
    Ryan Carter
  • A Robot for a Friend
    For flute with or without fixed media
    Ryan Carter
  • Headless Monkey Attack
    For quintet and fixed media
    Ryan Carter
  • impaired contact with reality
    For large amplified ensemble and stereo fixed media
    Ryan Carter
  • Meiso (Meditation)
    FIXED MEDIA PIECE USING RECORDINGS OF A KOTO.
    Michael Pounds
  • THREE MOVEMENTS – Nirvana
    for soprano saxophone and live electronics
    Zhixin Xu
  • Three Movements – Misshape
    for baritone saxophone and live electronics
    Zhixin Xu
  • Three Movements – Iambic
    for alto saxophone and live electronics
    Zhixin Xu
  • Warmth for Fixed Media and Video
    Justly-tuned guitar harmonic samples composed with rhythmic ratios and pleasant squares.
    Gabe Berry
  • Lobby Reforms
    Kyma processing of voices and lobby sounds
    Brian Belet
  • Fractus IV: Bonesaw
    for trombone and live electronics
    Eli Fieldsteel
  • Fractus III: Aerophoneme
    for flute and electronic sound
    Eli Fieldsteel
  • Fractus I
    for trumpet in C and electronic sound
    Eli Fieldsteel
  • Hajiki (Pluck)
    Fixed media piece using recordings of a Japanese shamisen.
    Michael Pounds
  • embed (live)
    Electric Guitar & Interactive Electronics
    Benjamin
  • HUNGER (Part III): A Multimedia Opera in Four Parts
    for two sopranos, baritone, alto flute, bass clarinet, baritone saxophone, electric guitar, percussion, piano, violin, cello, electronics, & video
    Jason Thorpe Buchanan
  • gimme shelter
    for three percussionists, electronics, and video processing
    Jason Thorpe Buchanan
  • walkside, lost
    for three percussionists, electronics, and video processing
    Jason Thorpe Buchanan
  • Second Study for Alto Saxophone, Video, and Electronics: pulp
    for solo alto saxophone, live video processing, and electronics
    Jason Thorpe Buchanan
  • Asymptotic Flux: First Study in Entropy
    for bass clarinet, violin, viola, cello, and electronics
    Jason Thorpe Buchanan
  • Graveyard Shift
    for video and electronics
    Farcry Zuke
  • Irrational Rationalities
    for flute, clarinet, violin, bass, piano, trombone, and electronics
    Keith Kirchoff
  • Seeing the Past Through the Prism of Tomorrow
    for piano and live electronics
    Keith Kirchoff
  • crook’d
    for bassoon and live electronics
    Keith Kirchoff
  • oNe
    for pitched (or non-pitched) object and live electronics
    Keith Kirchoff
  • oNe
    for pitched (or non-pitched) object and live electronics
    Keith Kirchoff
  • White Canvas
    for piano and live electronics
    Keith Kirchoff
  • OverDrive
    for toy piano, live electronics, fixed media
    Keith Kirchoff
  • Local Equilibrium Dynamics
    Written for SPLICE Ensemble
    Adam Vidiksis
  • The Adventures of Norby
    for piano and electronics
    Keith Kirchoff
  • Transfigurations
    for chamber orchestra and live computer processing
    Adam Vidiksis
  • Transfigurations
    for orchestra and live computer processing
    Adam Vidiksis
  • Mitochondrial Dreams
    for percussion and live computer processing
    Adam Vidiksis
  • Things That Live in the Whirligig
    for percussion and live computer processing
    Adam Vidiksis
  • synapse_circuit
    for percussion and live computer processing
    Adam Vidiksis
  • Ring, Resonate, Resound
    _________________________________________________
    Leah Reid
  • Resonances
    for metallic percussion and live electronics
    Jacob Sudol
  • …approaching a prayer
    for piano and electronics
    Jacob Sudol
  • “…wash yourself of yourself”
    for piano and live electronics
    Jacob Sudol
  • Trefoil Knots (総角)
    for cello and live electronics
    Jacob Sudol
  • Wind in Spring
    for alto flute or flute and live electronics
    Jacob Sudol
  • The Floating Bridge of Dreams (夢浮橋)
    for violin and live electronics
    Jacob Sudol
  • Vanished into the Clouds (雲隠)
    for cello or viola and live electronics
    Jacob Sudol
  • Peculiar Galaxies: UGC 4881
    Peculiar Galaxies: UGC 4881
    Samuel Pellman
  • descent #7
    brought to you by Carl's Jr.
    Jacob Sundstrom
  • Dystopia
    for Laptop Ensemble
    Maxwell Tfirn
  • White Turbulence
    White Turbulence
    Maggi Payne
  • Moiré
    Moiré
    Maggi Payne
  • ReCycle
    ReCycle
    Maggi Payne
  • Beyond
    Beyond
    Maggi Payne
  • Fizz
    Fizz
    Maggi Payne
  • Glassy Metals
    Glassy Metals
    Maggi Payne
  • System Test (fire and ice)
    System Test (fire and ice)
    Maggi Payne
  • Arctic Winds
    Arctic Winds
    Maggi Payne
  • Apparent Horizon
    Apparent Horizon
    Maggi Payne
  • Distant Thunder
    Distant Thunder
    Maggi Payne
  • Fluid Dynamics
    Fluid Dynamics
    Maggi Payne
  • Reverberance
    for Tam-Tam and Live Electronics
    Brian Sears
  • …and veiled between
    for 5 channel fixed media
    Brian Sears
  • Live in the Moment; Live in the Breath
    for Trumpet and Live Electronics
    Brian Sears
  • …beneath the universal strife, the hidden harmony in all things
    for Percussion Trio and Live Electronics
    Brian Sears
  • Drift
    for fixed media electronics
    Ed Martin
  • Drift
    for fixed media electronics
    Ed Martin
  • Time Passed
    for fixed media electronics
    Ed Martin
  • Dominant
    for fixed media electronics
    Ed Martin
  • Swirling Sky
    for Piano and Electronics
    Ed Martin
  • Swirling Sky
    for Piano and Electronics
    Ed Martin
  • Swirling Sea
    for Euphonium and Electronics
    Ed Martin
  • Flurry
    for Soprano Saxophone and Electronics
    Ed Martin
  • Biota
    for Tenor Saxophone and Electronics
    Ed Martin
  • Apparitions
    for Alto Saxphone and Electronics
    Ed Martin
  • Bright Waves
    Piano Version
    Daniel
  • Bright Waves
    Percussion Duo Version
    Daniel
  • Contrails
    Aus Liebe Will Mein Heiland Sterben
    Daniel
  • Space-time Julienne
    for percussion trio and live electronics
    Paul Schuette
  • sliced attractor
    for drum set and live electronics
    Paul Schuette
  • Puzzle Pieces
    for piano and live electronics
    Paul Schuette
  • smudge
    for tuba and live electronics
    Paul Schuette
  • Look to Third
    for alto flute, bass clarinet, piano, percussion, viola, cello and live electronics
    Paul Schuette
  • Two drones
    Kaleida and Threnos
    Marco Buongiorno Nardelli
  • Bamboo’s Ghost
    for tape
    Marco Buongiorno Nardelli
  • Music for 88 keys
    to Conlon Nancarrow, in memoriam
    Marco Buongiorno Nardelli
  • rain over tallin
    (dedication to Arvo Pärt)
    Marco Buongiorno Nardelli
  • Ossi di seppia
    Cuttlefish bones
    Marco Buongiorno Nardelli
  • Canto notturno (di un pastore errante dell’Asia)
    Night chant (of a wandering shepherd of Asia)
    Marco Buongiorno Nardelli
  • Contrappunto
    Invention for data stream #1
    Marco Buongiorno Nardelli
  • Ricercare
    Inventions for data streams #2
    Marco Buongiorno Nardelli
  • EleKtrIoN
    music of diamond
    Marco Buongiorno Nardelli
  • Small Groups of People Bring Collapse
    Laptop Anarchy
    Maxwell Tfirn
  • Traversing Eternity
    Exploration of Stars
    Maxwell Tfirn
  • Inter Diabolus et Virgo
    Between the Devil and a Virgin
    Maxwell Tfirn
  • Vorticose
    Acousmatic music
    Connor Eichinger
  • Foreign Masonry
    for baritone saxophone and live electronics
    Jason Charney
  • Phase Change
    for oboe, stereo fixed media
    Jason Charney
  • Axis Mundi – 34.2320° N, 82.8945° W
    for Cl, Pn, Percussion, and Electronics
    chad Powers
  • Crosswinds
    -
    Kyle Vanderburg
  • Reverie of Solitude
    -
    Kyle Vanderburg
  • Still Harmless [BASS]ically
    Electric bass and Kyma
    Brian Belet
  • Lyra
    Violin and Kyma
    Brian Belet
  • System of Shadows
    Trumpet, Flugelhorn (one performer) and Kyma
    Brian Belet
  • Name Droppings
    fixed electronics (voices)
    Brian Belet
  • Remembering Allen
    fixed electronics (voice)
    Brian Belet
  • Sea Lion Mix
    fixed electronics (sea lions and voices)
    Brian Belet
  • Summer Phantoms: Nocturne
    Piano and fixed electronics
    Brian Belet
  • Midnight Bass Stroll
    fixed electronics (processed contrabass)
    Brian Belet
  • Ion Trails (Cloud Chamber Storms)
    Percussion (one performer) and Kyma
    Brian Belet
  • Earth Tones
    for Fixed Media
    James Mobberley
  • A Plurality of One
    for Clarinet and Fixed Media
    James Mobberley
  • Going With the Fire
    for Flute and Fixed Media
    James Mobberley
  • BEAMS!
    for Trombone and Fixed Media
    James Mobberley
  • Caution to the Winds
    for Piano and Fixed Media
    James Mobberley
  • Dialogue
    for Performer and Computer
    James Mobberley
  • Aspenglow
    for Fixed Media
    James Mobberley
  • Critical Mass
    for Organ and Fixed Media
    James Mobberley
  • Soggiorno
    for Violin and Fixed Media
    James Mobberley
  • In Bocca al Lupo
    for Violin and Fixed Media
    James Mobberley
  • Spontaneous Combustion
    for Soprano/Alto Saxophone and Fixed Media
    James Mobberley
  • Into the Maelstrom
    for Piano and Fixed Media
    James Mobberley
  • TNT (Turetzky’n’Tape)
    for Contrabass and Fixed Media
    James Mobberley
  • Icarus Wept
    for trumpet and fixed media
    James Mobberley
  • Study for Vox Inhumana
    for Fixed Media
    James Mobberley
  • Let’s celebrate our corpse-strewn future!
    for chamber ensemble and electronics
    Ethan Hayden
  • “…ce dangereux supplément…”
    for solo voice (with optional electronics & video)
    Ethan Hayden
  • In Wahrheit saß ein buckliger Zwerg darin, der ein Meister im Schachspiel war und die Hand der Puppe an Schnüren lenkte
    or kalimba and electronics
    Ethan Hayden
  • bats with baby faces in the violet light
    for two-channel fixed media
    Ethan Hayden
  • Voices: In Memoriam
    for Piano with Live Electronics
    James Mobberley
  • Vox Metallica
    for Fixed Media
    James Mobberley
  • Alter Ego for ‘cello and Fixed Media
    Homage á Hrothgar
    James Mobberley
  • Phenomena
    for Solo Piano (4 of 6 movements with Fixed Media)
    James Mobberley
  • Ascension
    for Wind Ensemble and Fixed Media (1988/rev.2010)
    James Mobberley
  • Playing Fields
    Music for a Collaborative Art/Music Installation with Visual Artist Brett Reif
    James Mobberley
  • Once Again to the Light
    for Alto Saxophone and Fixed Media
    James Mobberley
  • Fantasy in Earth Tones
    for wind ensemble (grade 3-4) and fixed media
    James Mobberley
  • The Unpurged Images of the Day
    for amplified trombone, amplified piano and fixed media
    James Mobberley
  • Blueprints of Eternity
    -
    Kyle Vanderburg
  • Creatures from the Black Bassoon
    -
    Kyle Vanderburg
  • Music, Walk with Me
    10 minute edit
    Jared Rosen
  • (Trrt)
    for Bass Clarinet and Live Electronics
    Andres Gutierrez Martinez
  • White/Waves
    For large ensemble and electronics
    Sky Macklay
  • Harmonibots
    A sonic and kinetic installation of harmonica-playing inflatable sculptures
    Sky Macklay
  • Hirondelle
    Electroacoustic song for viola, synthesizer, hand percussion and voice
    Hannah Selin
  • Back and Forth
    for instruments and electronics and tea kettle
    Jordan Plotner
  • Earth
    fixed media audio
    Steven Kemper
  • Carcinoma
    fixed media audio
    Steven Kemper
  • Neoga
    fixed media audio and video
    Steven Kemper
  • At the Crossing of Five Paths
    for flute and computer
    Steven Kemper
  • Mystification
    for flute, clarinet, piano, violin, cello, and computer processing
    Steven Kemper
  • Anticenter Stream: Composition, Old Stars
    cello and computer
    Steven Kemper
  • F.A.K. 120
    Video Triptych Part 2
    Brian Hernandez
  • Integrated Elements No. 2 “Not a Haiku”
    for multiple percussion and fixed media
    Robert McClure
  • Integrated Elements No. 3 “Divide by Five”
    for gyil and fixed media
    Robert McClure
  • Failing to Resist
    for fixed media
    Robert McClure
  • Passacaglia on a theme by Mark Rothko
    for steel pan and fixed media
    Robert McClure
  • now our grief is put away
    with text by Anne Shaw
    Robert McClure
  • The Gate
    for string quartet and computer
    Robert McClure
  • untangle my tongue
    with text by Anne Shaw
    Robert McClure
  • The Lightning Field
    with text by Anne Shaw
    Robert McClure
  • Travelscapes
    for fixed media
    Robert McClure
  • Homologic
    for bass flute, clarinet, and computer
    Robert McClure
  • Mythical Spaces
    for amplified percussion and computer
    Steven Kemper
  • BabyBirdBeat
    Fixed Media
    Benjamin
  • Densité
    Fixed Media
    Benjamin
  • OSCines
    Fixed Media
    Benjamin
  • along the eaves
    Fixed Media
    Benjamin
  • Test Pattern
    for Max/MSP
    Will Huff
  • On Occasion
    an algorithm
    Will Huff
  • HarpMusic
    an algorithm
    Will Huff
  • PianoMusic
    an algorithm
    Will Huff
  • Singular
    an algorithm
    Will Huff
  • Tintinnabuli
    an algorithm
    Will Huff
  • For Daniel Frantz
    an algorithm
    Will Huff
  • Zelik
    on a Yiddish folk song
    Annika Socolofsky
  • a sense of who
    for fixed media & chamber ensemble
    Annika Socolofsky
  • Infernum
    Images from the Solar Dynamic Observatory
    Greg Wilder
  • Amplifying Altitude
    site-specific, multi-channel, immersive installation
    Greg Wilder
  • Moment of First Awakening
    for Video and Processed Piano
    Greg Wilder
  • Interlude
    for Marimba and Computer
    Greg Wilder
  • Sonification Study No. 1
    Music from the Isomer Project
    Greg Wilder
Login to SEAMUS

Join Us!

Membership in SEAMUS is open to all interested parties and brings lots of exciting benefits. Click the button below to join. Click here to renew your membership.
Join Now!

Connect with SEAMUS

  • Email
  • Facebook

© 2023 SEAMUS, All Rights Reserved · Site Design by Punkt Digital · Policy Statements

  • Contact Us
  • Board Officers & Staff
  • Policy Statements