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Society for Electro-Acoustic Music in the United States

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Member Profile: Andres Luz

Composer

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Short Bio
Harnessing the chugging, energetic sounds of contemporary postmodernism as a starting point, Andres R. Luz develops his artistic idiom from the legacy of music history stretching back to medieval and Renaissance stylistic practices, up to those of the present-day. Andres Luz studied with Jeffrey Miller at California State University, East Bay (B.A. Music, magna cum laude, 2013) and taken private studies in electroacoustic music with Ian Dicke, as well as master classes with Hannah Lash, P.Q. Phan, Zae Munn, Paul Salerni, and Melinda Wagner. Andres Luz completed the Master of Music Composition at the University of Redlands in 2016, studying with Anthony Suter. In 2022, Andres Luz completed the Doctorate in Musical Arts in Composition at the University of Georgia (UGA), Athens, studying with Peter Van Zandt Lane, Adrian Childs, and Emily Koh. Andres Luz also served as Visiting Assistant Professor of Theory and Electronic Music Composition at the University of Redlands and as the assistant of the Dancz Center of New Music at the Hugh Hodgson School of Music at UGA. His music has been played internationally and notably by the Atlanta Symphony Orchestra and the Wind Symphony of the College-Conservatory at the University of Cincinnati. Among his electroacoustic pieces, Andres Luz’s 2017 fixed media work, Premonitions, Landscape at Twilight was selected to be featured on MUSLAB-Cero Records’ album, PLANETA COMPEJO, Volume 4, released in January 2024. Among the works for large ensemble, Dr. Luz’s dissertation composition, Bulosan: On American Democracy for Narrator, Wind Symphony, and Fixed Media (2021, rev. 2023), won the 2023 American Prize in Wind Ensemble Composition, and 2nd Prize in Social Justice-related content, College/University-Level Wind Ensemble Division. The work is included in ABLAZE Records’ Wind Orchestra Masters vol. 1 album which Fanfare Magazine’s Ken Meltzer described as “an eloquent and moving work, one I recommend heartily.” In another review by Colin Clarke, Bulosan is lauded as "expertly structured and emotionally powerful," while Natalie Szabo writes that the album documents a "masterful ensemble performance. Five stars." In March 2025, an experimental documentary music video based on Part 3 of Bulosan: On American Democracy was completed and has achieved several top awards in over fifty film festivals around the world, across five continents. Andres Luz is a member of ASCAP, SEAMUS, Millennium Composers Initiative, and Society of Composers, Inc., and is published by Murphy Music Press and Post-Classical Music.
Works by Andres
  • Enigmatic Improvisation for flute and electronics, op. 16 (2019)
  • Petit Hommage a Rene Magritte for fixed media (2017)
  • Premonitions, Landscape at Twilight for electronic fixed media (2017)
  • El Perdido for baritone voice, fixed media, and live electronics (2017)
  • Surveillance State for soprano, alto saxophone, fixed media, and live electronics (2015, rev. 2025)
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