The Society for Electro-Acoustic Music in the United States (SEAMUS) 2018 National Conference will be held at the University of Oregon School of Music and Dance in Eugene, Oregon March 29-31, 2018. SEAMUS 2018 will be presenting an exciting and diverse range of electro-acoustic music including fixed media electroacoustic works, real-time interactive performance compositions, works […]
Interview with SPLICE Faculty Members – by Steven Ricks
“From my perspective, SPLICE Institute is about building and maintaining a community of creative individuals who all value the use of technology in music-making, whether it be performing, composing, producing, research, etc. We focus specifically on composing and performing, but the core of both of these is collaboration, creativity, and community. I call them the […]
Member News
Fall 2017 Based on recent work in creating resonating sound objects, Beth Bradfish recently won a six-month Field/Work residency with the Chicago Artists Coalition. A sample of Exhale, a sonic bed, has been uploaded to the SEAMUS members new works: https://seamusonline.org/work/exhale-a-sound-object/ Mediums of Electronic Music (2017), by Thomas D. Brosh, is a summary of his 50 […]
My Own Personal Canon – by Lou Bunk
We have been playing John Cage’s “Variations III” since well before Lou Cohen’s death in 2013. Lou studied with Cage and would organize yearly performances of this work by musicians from the Boston experimental music community. At the 2017 “New Music Gathering” in Bowling Green Ohio, Tim Feeney and I arranged a performance of “Variations […]
Interview with Carla Scaletti
— By Elizabeth Hinkle-Turner — I have known Carla Scaletti virtually all of my compositional life starting with her appearing “in the distance” as a quietly awe-inspiring presence (so many people spoke so reverently of her creative intellect and thoughtfulness) in the Computer Music Project of the University of Illinois at Urbana-Champaign in 1986. I […]