The Society for Electro-Acoustic Music in the United States (SEAMUS) 2018 National Conference will be held at the University of Oregon School of Music and Dance in Eugene, Oregon March 29-31, 2018. SEAMUS 2018 will be presenting an exciting and diverse range of electro-acoustic music including fixed media electroacoustic works, real-time interactive performance compositions, works […]
Member News
Brian Belet’s composition Loose Canon, for any three instruments and Kyma (2017), was premiered by the SPLICE Ensemble (Sam Wells, trumpet; Keith Kirchoff, piano, & Adam Vidiksis, percussion) at the 2018 SPLICE Festival on January 27, 2018, hosted by Western Michigan University, Kalamazoo, MI. Belet also presented a paper on the technical and aesthetic issues […]
Interview with Scott L. Miller – by Steven Ricks
I first met Scott Miller at SEAMUS 2013, hosted by McNally Smith College in the Minnesota Twin Cities area, not far from Scott’s home in St. Cloud. I had been corresponding with him via email about the new “Electro-Acoustic Miniatures: Re-Caged” I had helped curate and judge, and enjoyed our virtual interactions, so I was […]
Interview with SPLICE Faculty Members – by Steven Ricks
“From my perspective, SPLICE Institute is about building and maintaining a community of creative individuals who all value the use of technology in music-making, whether it be performing, composing, producing, research, etc. We focus specifically on composing and performing, but the core of both of these is collaboration, creativity, and community. I call them the […]
Member News
Fall 2017 Based on recent work in creating resonating sound objects, Beth Bradfish recently won a six-month Field/Work residency with the Chicago Artists Coalition. A sample of Exhale, a sonic bed, has been uploaded to the SEAMUS members new works: https://seamusonline.org/work/exhale-a-sound-object/ Mediums of Electronic Music (2017), by Thomas D. Brosh, is a summary of his 50 […]