The Society for Electro-Acoustic Music in the United States (SEAMUS) 2019 National Conference will be held at Berklee College of Music and Boston Conservatory at Berklee in Boston Massachusetts, March 21-23, 2019. SEAMUS 2019 will present an eclectic and diverse blend of electro-acoustic music and music-oriented forms including fixed media electroacoustic works, works composed for […]
Member News
In Scott Barton’s recent release, Stylistic Alchemies, expressions that are typically treated as ends, such as a pop songs or acoustic performances of chamber works, become means to a music that is trans- (across and through), poly- (many) and meta- (beyond) genre. The modern production studio is the vehicle for this work, imparting its forms and techniques upon […]
Gordon Mumma Named 2019 SEAMUS Award Winner
The 2019 SEAMUS Award will be presented to Gordon Mumma at the SEAMUS National Conference banquet at the Berklee College of Music and Boston Conservatory at Berklee. Gordon Mumma (born 30 March 1935, in Framingham, Massachusetts) studied piano and horn in Chicago and Detroit, and began his career as a horn player in symphonic and […]
Member News
SEAMUS members Linda Antas and Jason Bolte created the audio for an installation entitled NeuroCAVE. It involves interactive brainwave analysis, interactive and fixed audio, interactive color-changing side emitting fiber optics, and video. The installation consists of six video projectors (Anderson-video/Mast-images), interactive brainwave sonification (Antas), an outer layer of ambient sound (Bolte), and five “cave forms” […]
Any Noise At All
Any Noise At All: A Brief Discussion on a Taxonomy of Electronic and Electroacoustic Music Edited and expanded by Dustin Ragland, Academy of Contemporary Music at The University of Central Oklahoma “Brahms makes object: beginning, middle, end. Art and artists predict what’s going to happen, predict and understand change…Then tape arrived. Whole medium opened up. Can record any sound on […]