Dear SEAMUS Members, We’re happy to direct you to the SEAMUS 2020 online presentation and archive here: 2020.seamusonline.org Though you may miss the Rotunda’s Dome Room, the 10.2 Genelec systems, and the personal connections, what you will find at this site nevertheless represents a compelling testament to the work (and grace) of our shared community. […]
Black Lives Matter
The Society for Electro-Acoustic Music in the United States (SEAMUS) wishes to state its strong support for the Black Lives Matter movement and all who are moved to protest current and historical systemic violence against Black people. Beyond simply professing this commitment, SEAMUS pledges to work with our membership to conduct ongoing critical self-evaluation in […]
2020 ASCAP/SEAMUS Commissioning Program Announced!
Dear SEAMUS Members,While I am disappointed to miss the opportunity to deliver the results of the 2020 ASCAP/SEAMUS Commissioning Program and Allen Strange Award in person, I am nonetheless delighted to be able to announce the results via email. As is typically the case, we received a large number of extremely impressive student works, and […]
Annea Lockwood Named 2020 SEAMUS Award Winner
The 2020 SEAMUS Award will be presented to Annea Lockwood at the Society for Electro-Acoustic Music in the United States (SEAMUS) 2020 National Conference, held at the University of Virginia in Charlottesville, Virginia on March 12-14, 2020. Born in New Zealand in 1939, Annea Lockwood moved to England in 1961, studying composition at the Royal […]
Member News – Summer 2019
Brian Belet‘s Loose Canon, for any three instruments and Kyma real-time processing (composed 2016), was performed by The SPLICE Ensemble (Samuel Wells, Keith Kirchoff, & Adam Vidiksis), with Mark Zaki controlling Kyma in performance real time, at the International Computer Music Conference (held in conjunction with the New York City Electroacoustic Music Festival), on June 17, 2019, in New York City, New York. Kyong Mee Choi reports the […]