SEAMUS

Society for Electro-Acoustic Music in the United States

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Journal SEAMUS (TEST)

Journal SEAMUS is a publication made for and by the SEAMUS community published bi-annually since 1989. Its electroacoustic (EA) music-centric and adjacent articles range from theoretical analyses and technical papers to interviews, conference and recording reviews, and practical music technology tips.

Journal SEAMUS is a publication made for and by the SEAMUS community published bi-annually since 1989. Its electroacoustic (EA) music-centric and adjacent articles range from theoretical analyses and technical papers to interviews, conference and recording reviews, and practical music technology tips.

 
Submission Instructions
Interested contributors should submit manuscripts electronically to journal [at] seamusonline.org. Microsoft Word is the preferred format. If another word processor is used, files should be saved in rich text format (RTF) with an accompanying PDF version. Main articles are generally 2,000 to 6,000 words. Click here for detailed instructions.

 

Current Calls for Submissions

We are actively seeking submissions of cover art for future issues of Journal SEAMUS. Please send submissions to the Editor-in-Chief, Drake Andersen: journal [at] seamusonline.org.

 

Masthead

Editor-in-Chief Drake Andersen

Assistant Editors Nick Hwang and Michael Lukaszuk
Copy Editors Nicholas Cline and Dave Mahony
Digitization Manager Holli Wittman

Review Board
Bruce Bennett, Dániel Péter Biró, Ted Coffey, Paul Koonce, Colby Leider, Jennifer Logan, Loren Ludwig

 

Journal SEAMUS Archive

We are currently in the process of digitizing the Journal SEAMUS archive. If you have a specific request, please write to the Editor-in-Chief.

Volume 29, nos. 1-2 (2018)

Volume 29 features articles by Drake Andersen, Taylor Brook, Caroline Louise Miller, Sean Peuquet, and a multi-authored contribution by Ryan Ingebritsen, Christopher Knowlton, and John Toenjes.

  • "Texture, Materiality and Sensation in the Digital Production of Electronic Dance Music Subgenres," by Caroline Louise Miller
  • "The Scuffed Computer Improviser: The Aesthetics of Imprecision in Artificial Intelligence Musical Improvisation," by Taylor Brook
  • "Electroacoustic Music, Pluralism, and the Intractability of Epistemological Limitation," by Sean Peuquet
  • "Embodied Strategies for Kinesthetic Empathy in Remote and Interactive Performance," by Ryan Ingebritsen, Christopher Knowlton, and John Toenjes
  • "Tips and Tricks: Gesture Mapping with a Neural Network in Max," by Drake Andersen
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