“From my perspective, SPLICE Institute is about building and maintaining a community of creative individuals who all value the use of technology in music-making, whether it be performing, composing, producing, research, etc. We focus specifically on composing and performing, but … [Read more...]

Fall 2017 Based on recent work in creating resonating sound objects, Beth Bradfish recently won a six-month Field/Work residency with the Chicago Artists Coalition. A sample of Exhale, a sonic bed, has been uploaded to the SEAMUS members new … [Read more...]

We have been playing John Cage’s “Variations III” since well before Lou Cohen’s death in 2013. Lou studied with Cage and would organize yearly performances of this work by musicians from the Boston experimental music community. At the 2017 “New Music Gathering” in Bowling Green … [Read more...]

--- By Elizabeth Hinkle-Turner ---  I have known Carla Scaletti virtually all of my compositional life starting with her appearing “in the distance” as a quietly awe-inspiring presence (so many people spoke so reverently of her creative intellect and thoughtfulness) in the … [Read more...]

Summer 2017 Member News Jon Appleton composed his first Synclavier piece in 30 years thanks to the wonderful help from the composers at the University of Virginia. He was also Composer-in-Residence at Visby International Centre for Composers (Gotland, Sweden) August, … [Read more...]