In Scott Barton’s recent release, Stylistic Alchemies, expressions that are typically treated as ends, such as a pop songs or acoustic performances of chamber works, become means to a music that is trans- (across and through), poly- (many) and meta- (beyond) genre. The modern … [Read more...]
Gordon Mumma Named 2019 SEAMUS Award Winner
The 2019 SEAMUS Award will be presented to Gordon Mumma at the SEAMUS National Conference banquet at the Berklee College of Music and Boston Conservatory at Berklee. Gordon Mumma (born 30 March 1935, in Framingham, Massachusetts) studied piano and horn in Chicago and Detroit, … [Read more...]
Member News
SEAMUS members Linda Antas and Jason Bolte created the audio for an installation entitled NeuroCAVE. It involves interactive brainwave analysis, interactive and fixed audio, interactive color-changing side emitting fiber optics, and video. The installation consists of six video … [Read more...]
Any Noise At All
Any Noise At All: A Brief Discussion on a Taxonomy of Electronic and Electroacoustic Music Edited and expanded by Dustin Ragland, Academy of Contemporary Music at The University of Central Oklahoma “Brahms makes object: beginning, middle, end. Art and artists … [Read more...]
An Evaluation of the University of Illinois EMS Archive
By David M. Luftig University of Dayton Research Services Librarian Introduction This study seeks to understand the content, organization, and context of the University of Illinois Experimental Music Studios’ (EMS) archive. For this project, I spent seventeen weeks … [Read more...]
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