Brian Belet's Loose Canon, for any three instruments and Kyma real-time processing (composed 2016), was performed by The SPLICE Ensemble (Samuel Wells, Keith Kirchoff, & Adam Vidiksis), with Mark Zaki controlling Kyma in performance real time, at the International Computer … [Read more...]
Interview with Anne La Berge
by Steve Ricks photo: Peter van der Heyden Introduction In 2000 I met composer and flutist Ned McGowan at an SCI National Student Conference in Ann Arbor, MI, a fortuitous experience that has led to a lasting friendship. At the time we met, Ned had recently relocated to … [Read more...]
Embodied Rhythm in Electroacoustic Practice
By Dustin Ragland In early electronic music, particularly those works based on environmental sounds (what we might call field recordings, however spliced and arranged they might have been), we hear a world of sound objects that are irregular and fragmented. This reflection … [Read more...]
Music Beyond Airports: Appraising Ambient Music
Music Beyond Airports: Appraising Ambient Music Edited by Monty Adkins and Simon Cummings Book Review by Scott Miller A quick search for music identified as “ambient” in your favorite streaming music service will result in a long and diverse collection of works, and … [Read more...]
SEAMUS President Ted Coffey’s Remarks at 2019 Awards Banquet
After summarizing the work on diversity and inclusion, led by Elizabeth Hinkle-Turner, SEAMUS President Ted Coffey presented the following remarks at the SEAMUS 2019 Awards Banquet: I want to move to a related topic, and by way of introduction, I’ll read a bit from the … [Read more...]
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