SEAMUS

Society for Electro-Acoustic Music in the United States

  • News
    • 2025 SEAMUS Award Winner – Mari Kimura
    • SEAMUS Journal 32 1-2 Released [January 2025]
    • 2024-2025, Winter Newsletter
  • Conferences
    • SEAMUS 2025 Conference Information
    • Past Conferences
      • SEAMUS Conference 2024 Booklet — All Events
        • Most Recent Past Conference
        • 2024 Conference Host Events, February – May.
        • SEAMUS 2024 National Conference – Call for Works
        • Conference Submission Webinars
      • 2023 Conference, April 7 – 8, NYC
    • Future Hosts Interest Form
      • How to Host a Conference
  • Opportunities
    • SEAMUS STUDENT COMPOSER COMMISSIONING PROGRAM
      • FAQ
      • SEAMUS Student Award Winners
      • Allen Strange Memorial Award
      • Allen Strange Memorial Award Winners
    • CREATE Grants
      • 2024 SEAMUS CREATE Grant Recipients
      • SEAMUS CREATE Grant Past Recipients
    • SEAMUS Award
  • SEAMUS Publications
    • Journal SEAMUS
    • Member Newsletter
  • For Members
    • Music from SEAMUS
    • 2023 Conference Video Archive
      • List of Pieces and Composers [2023 Conference, by concert]
    • Electroacoustic Miniatures Series Downloads
    • Member Directory
      • Edit Profile
    • Membership FAQs
    • Facebook Page
  • Programs and Projects
    • Mentor – Mentee Program
    • Electroacoustic Database Repertoire (project in progress)
  • About
    • History
    • Officers and Staff
      • Past Presidents
    • Why Join?
    • Inclusion and Diversity
    • Bylaws
    • Board Meeting Minutes, Archive
    • Sponsors

Opus Palladianum: Voice and Drums

2016-01-13

beat-based rhythmic complexity; integration of stylistically diverse materials; discontinuity

Composer: Scott Barton

Year of Composition: 2013
Instrumentation: voice, percussion, electronics
Type of Electronics: Fixed

Number of Channels: 2
Duration: 7:00
Video Component: None

Recording

Opus Palladianum: voice and drums explores relations and contrasts, from those that are clear, such as the juxtaposition of opposites (soft, loud), to those that are ambiguous, such as the juxtaposition of synthetic and intimate. Contrast is created by presenting the voice and percussion elements in a variety of rhythmic, harmonic and technological settings. These organizations illuminate timbral identities, associations that are connected to production processes, and the relationship between an object and its development. Such juxtapositions and superimpositions invite listeners to consider how context, and not just timbre, influences the aesthetics of recorded, sampled, and synthesized sound. The piece creates unity and connections among these disparate elements through its formal construction. As a result, there is connection despite heterogeneity; there is fluidity despite disruption; there is peace despite agitation; there is continuity despite discontinuity.

Login to SEAMUS

Join Us!

Membership in SEAMUS is open to all interested parties and brings lots of exciting benefits. Click the button below to join. Click here to renew your membership.
Join Now!

Connect with SEAMUS

  • Email
  • Facebook

© 2025 SEAMUS, All Rights Reserved · Site Design by Punkt Digital · Policy Statements

  • Contact Us
  • Board Officers & Staff
  • Policy Statements