SEAMUS

Society for Electro-Acoustic Music in the United States

  • News
    • 2025 SEAMUS Award Winner – Mari Kimura
    • SEAMUS Journal 32 1-2 Released [January 2025]
    • 2024-2025, Winter Newsletter
  • Conferences
    • SEAMUS 2025 Conference Information
    • Past Conferences
      • SEAMUS Conference 2024 Booklet — All Events
        • Most Recent Past Conference
        • 2024 Conference Host Events, February – May.
        • SEAMUS 2024 National Conference – Call for Works
        • Conference Submission Webinars
      • 2023 Conference, April 7 – 8, NYC
    • Future Hosts Interest Form
      • How to Host a Conference
  • Opportunities
    • SEAMUS STUDENT COMPOSER COMMISSIONING PROGRAM
      • FAQ
      • SEAMUS Student Award Winners
      • Allen Strange Memorial Award
      • Allen Strange Memorial Award Winners
    • CREATE Grants
      • 2024 SEAMUS CREATE Grant Recipients
      • SEAMUS CREATE Grant Past Recipients
    • SEAMUS Award
  • SEAMUS Publications
    • Journal SEAMUS
    • Member Newsletter
  • For Members
    • Music from SEAMUS
    • 2023 Conference Video Archive
      • List of Pieces and Composers [2023 Conference, by concert]
    • Electroacoustic Miniatures Series Downloads
    • Member Directory
      • Edit Profile
    • Membership FAQs
    • Facebook Page
  • Programs and Projects
    • Mentor – Mentee Program
    • Electroacoustic Database Repertoire (project in progress)
  • About
    • History
    • Officers and Staff
      • Past Presidents
    • Why Join?
    • Inclusion and Diversity
    • Bylaws
    • Board Meeting Minutes, Archive
    • Sponsors

Lobby Reforms

2015-12-03

Kyma processing of voices and lobby sounds

Composer: Brian Belet

Year of Composition: 2006
Instrumentation: Human voices and lobby sounds, and Kyma
Type of Electronics: Live

Number of Channels: 8
Duration: Variable (up to 45 min.)
Video Component: None

Lobby Reforms is a live computer processing audio environment that brings the pre-concert sounds of people passing through the lobby into the concert hall (as well as back into the lobby) in an informal collage of social activity. Microphones are placed at key locations in the lobby to gather the sounds of people arriving for this concert, buying tickets, discussing the printed concert program, chatting about the day, and just milling about before the concert itself begins. The audio sources are processed in real-time and then directed back through the sound system to create a sonic environment that leads organically into the concert itself as the lobby sounds eventually diminish as a result of the audience leaving that space for the concert hall.

Login to SEAMUS

Join Us!

Membership in SEAMUS is open to all interested parties and brings lots of exciting benefits. Click the button below to join. Click here to renew your membership.
Join Now!

Connect with SEAMUS

  • Email
  • Facebook

© 2025 SEAMUS, All Rights Reserved · Site Design by Punkt Digital · Policy Statements

  • Contact Us
  • Board Officers & Staff
  • Policy Statements