SEAMUS

Society for Electro-Acoustic Music in the United States

  • News
    • 2025 SEAMUS Award Winner – Mari Kimura
    • SEAMUS Journal 32 1-2 Released [January 2025]
    • 2024-2025, Winter Newsletter
  • Conferences
    • SEAMUS 2025 Conference Information
    • Past Conferences
      • SEAMUS Conference 2024 Booklet — All Events
        • Most Recent Past Conference
        • 2024 Conference Host Events, February – May.
        • SEAMUS 2024 National Conference – Call for Works
        • Conference Submission Webinars
      • 2023 Conference, April 7 – 8, NYC
    • Future Hosts Interest Form
      • How to Host a Conference
  • Opportunities
    • SEAMUS STUDENT COMPOSER COMMISSIONING PROGRAM
      • FAQ
      • SEAMUS Student Award Winners
      • Allen Strange Memorial Award
      • Allen Strange Memorial Award Winners
    • CREATE Grants
      • 2024 SEAMUS CREATE Grant Recipients
      • SEAMUS CREATE Grant Past Recipients
    • SEAMUS Award
  • SEAMUS Publications
    • Journal SEAMUS
    • Member Newsletter
  • For Members
    • Music from SEAMUS
    • 2023 Conference Video Archive
      • List of Pieces and Composers [2023 Conference, by concert]
    • Electroacoustic Miniatures Series Downloads
    • Member Directory
      • Edit Profile
    • Membership FAQs
    • Facebook Page
  • Programs and Projects
    • Mentor – Mentee Program
    • Electroacoustic Database Repertoire (project in progress)
  • About
    • History
    • Officers and Staff
      • Past Presidents
    • Why Join?
    • Inclusion and Diversity
    • Bylaws
    • Board Meeting Minutes, Archive
    • Sponsors

Graft Blossom

2018-09-05

Part of respirateur, Graft Blossom, for clavichord and electronics, is an open work in which the performer creates a form for each performance

Composer: Fredrick Gifford

Year of Composition: 2016
Instrumentation: clavichord
Type of Electronics: Fixed

Number of Channels: 2
Duration: ca. 7'30
Video Component: None

Score ResourcesRecording

Graft Blossom’s form exhibits a degree of openness – the performer chooses an order for the three parts (there are two hinges for clavichord, and hotplate for toy piano). These choices, in turn, influence the order of events in the electronics part, called filament (which is based on recorded piano harmonics and clavichord sounds). In this way, each performance of Graft Blossom is a unique arrangement of the work’s parts, offering the listener a situation analogous to the moving viewer of the Duchamp work that it inspired it.

Login to SEAMUS

Join Us!

Membership in SEAMUS is open to all interested parties and brings lots of exciting benefits. Click the button below to join. Click here to renew your membership.
Join Now!

Connect with SEAMUS

  • Email
  • Facebook

© 2025 SEAMUS, All Rights Reserved · Site Design by Punkt Digital · Policy Statements

  • Contact Us
  • Board Officers & Staff
  • Policy Statements