Leah Reid is a composer of acoustic and electroacoustic music. Her primary research interests involve the perception, modeling, and compositional applications of timbre. In her works, timbre acts as a catalyst for exploring new soundscapes, time, space, perception, and color. In recent reviews, Reid’s works have been described as “immersive,” “haunting,” and “shimmering.” She has won numerous awards, including the International Alliance for Women in Music's Pauline Oliveros Prize for her piece Pressure, the Film Score Award for her piece Ring, Resonate, Resound in Frame Dance Productions’ Music Composition Competition, and residencies at the MacDowell Colony, the Ucross Foundation, and the Virginia Center for the Creative Arts. Her compositions have been presented at festivals, conferences, and in major venues throughout the world, including Aveiro_Síntese (Portugal), BEAST FEaST (England), Forgotten Spaces: EuroMicrofest (Germany), the International Computer Music Conference (USA), IRCAM’s ManiFeste (France), LA Philharmonic's Noon to Midnight (USA), Série de Música de Câmara (Brazil), the Sound and Music Computing Conference (Germany), the Tilde New Music Festival (Australia), and the Workshop on Computer Music and Audio Technology (Taiwan), among many others. Reid received her D.M.A. and M.A. in music composition from Stanford University and her B.Mus from McGill University. www.leahreidmusic.com